A Theoretical and Practical Guide 2nd Revised edition
Edited by Phillip B. Zarrilli
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Acting (Re)considered by Phillip B. Zarrilli
Book DescriptionActing (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as: * how we think and talk about acting * acting and emotion * the actor's psychophysical process * the body and training * the actor in performance * non-Western and cross-cultural paradigms of the body, training and acting. Acting (Re)Considered is vital reading for all those interested in performance.
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Book DetailsISBN: 9780415263009
(246mm x 174mm x 23mm)
Publisher: Taylor & Francis Ltd
Publish Date: 24-Oct-2002
Country of Publication: United Kingdom
Books By Author Phillip B. Zarrilli
Acting, Hardback (December 2013)
A stimulating analysis of acting as a psychophysical phenomenon and process across cultures and disciplines. Taking an 'enactive approach' to understanding acting as a process, the authors discuss psychophysical acting and performance within the Stanislavsky lineage, in dance and devised theatre practices, and in performance in India and Japan.
Theatre Histories, Hardback (January 2010)
Offers overviews of theatre and drama in many world cultures and periods together with case studies demonstrating the methods used by the theatre historians.
Psychophysical Acting, Hardback (September 2008)» View all books by Phillip B. Zarrilli
Aims to equip actors with practical and conceptual tools with which to approach their work. This title presents an historical overview of a psychophysical approach to acting from Stanislavski onwards.
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Author Biography - Phillip B. Zarrilli
Phillip B. Zarrilli is internationally known for training actors in psychophysical process through Asian martial/mediation arts, and as a director. He is the author of numerous books and essays including: When the Body Becomes All Eyes (1998); Kathakali Dance-Drama: Where Gods and Demons Come to Play (1999); a co-author of Indian Theatre: Traditions of Performance and the editor of Asian Martial Arts in Actor Training.
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