Aeneid by Virgil
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Aeneid
By Virgil

The Aeneid

New edition

By (author) See other recent books by Virgil
Translated by A. Mandelbaum See other recent books by A. Mandelbaum
Format: Paperback

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Aeneid by Virgil

Book Description

Aeneas flees the ashes of Troy to found the city of Rome and change forever the course of the Western world--as literature as well. Virgil's "Aeneid" is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling and the force of fate--that has influenced writers for over 2,000 years. Filled with drama, passion, and the universal pathos that only a masterpiece can express. "The Aeneid" is a book for all the time and all people.

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Book Details

ISBN: 9780553210415
ISBN-10: 0553210416
Format: Paperback
(175mm x 107mm x 26mm)
Pages: 416
Imprint: Bantam USA
Publisher: Bantam Doubleday Dell Publishing Group Inc
Publish Date: 1-Sep-1981
Country of Publication: United States

Other Editions...


Books By Author Virgil

O Cruel Alexis by Virgil O Cruel Alexis, Paperback (February 2015)

Takes us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. This title features stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.

Eclogues and the Georgics by Virgil Eclogues and the Georgics, Paperback (December 2014)

Originally published in 1944, this book contains English metrical translations of Virgil's Eclogues and Georgics.

Aeneid by Virgil Aeneid, Paperback (September 2013)

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Reviews

US Kirkus Review » After giving us perhaps the finest modern versions of Homer (rivaled only by Lattimore), Fitzgerald has now translated a spirited, eloquent, fresh Aeneid - though some will still prefer Allan Mandelbaum's. Fitzgerald has had his eye on Virgil for many years - he edited Dryden's Aeneid, with notes and an expert Introduction, in 1964 - but his own poetic voice is decidedly un-Virgilian: brisk, bold, hearty, a sociable baritone. His irregular pentameters, with continual enjambment, come in great fluid rushes (less "faithful" but more readable than Mandelbaum's slower-paced lines), often making a spring tide of a quiet Virgilian stream. Virgil's discreet rhetorical emphasis sometimes becomes startlingly colloquial: e.g., "Fortune has made a derelict/ Of Sinon, but the bitch/Won't make an empty liar of him, too." And even when Fitzgerald tries to echo the original, he can't help sounding more direct and homespun. Lively rather than exquisite, vigorous and risky, with only a few outright anachronistic clinkers: the most accessible Aeneid (since Dryden, anyway) for a Latin-less modern audience, especially helpful in sustaining readers through the often-wearisome battle scenes in the later books. (Kirkus Reviews)


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Author Biography - Virgil

Throughout his life Virgil was a poet and as far as we know had no interest in pursuing any other career. He was born Publius Vergilius Maro in 70 BC near Mantua, in what now is northern Italy. His parents, farm owners, were people of property and substance, if not wealth, and were able to obtain for their son a first-rate education. On completing his education, he returned home and possibly began work on the Eclogues, which appeared between the years of 42 and 37 BC. In 41 BC, the Emperor Octavian (later known as Augustus) confiscated Virgil's family's property, and Virgil was obliged to travel to Rome to negotiate for its return. Fortunately for Virgil, one of the officials secured for him an introduction to the emperor; not only was his land returned, but he also met Octavian's confidant Maecenas, who became Virgil's patron for the rest of his life. An industrious, meticulous writer, Virgil was not prolific. In addition to the ten Eclogues, which apparently took at least five years to publish, Virgil wrote the four Georgics, which took seven years, and the Aeneid, his great masterwork. Virgil worked on the Aeneid for eleven years, until his death in 19 BC. Feeling, apparently, that the epic was still unfinished, he directed in his will that the manuscript be destroyed. To the great fortune of succeeding generations, the emperor, Virgil's most prominent friend and admirer, intervened to countermand this provision. He turned the manuscript over to two of Virgil's friends, Varius and Tucca, to edit only obvious errors and repetitions, without adding to the text. The result of their work is the beautiful and brilliant Aeneid we have today. Allen Mendelbaum's five verse volumes are: Chelmaxions; The Savantasse of Montparnasse; Journeyman; Leaves of Absence; and A Lied of Letterpress. His volumes of verse translation include The Aeneid of Virgil, a University of California Press volume (now available from Bantam) for which he won a National Book Award; the Inferno, Purgatorio, and Paradiso volumes of the California Dante (now available from Bantam); The Odyssey of Homer (now available from Bantam); The Metamorphoses of Ovid, a finalist for the Pulitzer Prize in poetry; Ovid in Sicily; Selected Poems of Giuseppe Ungaretti; Selected Writings of Salvatore Quasimodo; and David Maria Turoldo. Mandelbaum is co-editor with Robert Richardson Jr. of Three Centuries of American Poetry (Bantam Books) and, with Yehuda Amichai, of the eight volumes of the JPS Jewish Poetry Series. After receiving his Ph.D. from Columbia, he was in the Society of Fellows at Harvard. While chairman of the Ph.D. program in English at the Graduate Center of CUNY, he was a visiting professor at Washington University in St. Louis, and at the universities of Houston, Denver, Colorado, and Purdue. His honorary degrees are from Notre Dame University, Purdue University, the University of Assino, and the University of Torino. He received the Gold Medal of Honor from the city of Florence in 2000, celebrating the 735th anniversary of Dante's birth, the only translator to be so honored; and in 2003 he received the President of Italy's award for translation. He is now Professor of the History of Literary Criticism at the University of Turin and the W.R. Kenan Professor of Humanities at Wake Forest University.

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