After Modern Art, 1945-2000
By (author) David Hopkins
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After Modern Art, 1945-2000 by David Hopkins
Book DescriptionContemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2000, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and the art of the nineties.
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Book DetailsISBN: 9780192842343
(238mm x 168mm x 16mm)
Imprint: Oxford University Press
Publisher: Oxford University Press
Publish Date: 14-Sep-2000
Country of Publication: United Kingdom
Books By Author David Hopkins
Companion to Dada and Surrealism, Hardback (May 2016)
This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender.
Conversing with Antiquity, Paperback (November 2014)
A selection of previously published articles, with a new Introduction, exploring the interaction between English poets of the seventeenth and eighteenth centuries and those of ancient Greece and Rome, and emphasizing the element of exchange and dialogue between the two.
Teacher's Guide to Classroom Research, Paperback (October 2014)» View all books by David Hopkins
A Teacher's Guide to Classroom Research is a great 'one-stop' guide for student or qualified teachers looking to undertake classroom research.
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Author Biography - David Hopkins
Dr David Hopkins is Lecturer in Art History at the University of St Andrews where his broad areas of specialism are Dada and Surrealism, the history and theory of post-1945 art and twentieth century photography. He has published extensively on Dada and Surrealism and related topics in post-war art. Publications include his books Marcel Duchamp and Max Ernst: the Bride Shared (Oxford University Press, Clarendon Studies in the History of Art, 1988) and Marcel Duchamp (London, 1989), co-authored with Dawn Ades and Neil Cox. He also writes and performs poetry, often in collaboration with other performers and visual artists.
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