Gender, Race and Class in Visual Culture
By (author) Shawn Michelle Smith
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American Archives by Shawn Michelle Smith
Book DescriptionVisual texts uniquely demonstrate the contested terms of American identity. In American Archives Shawn Michelle Smith offers a bold and disturbing account of how photography and the sciences of biological racialism joined forces in the nineteenth century to offer an idea of what Americans look like--or "should" look like. Her varied sources, which include the middle-class portrait, baby picture, criminal mugshot, and eugenicist record, as well as literary, scientific, and popular texts, enable her to demonstrate how new visual paradigms posed bodily appearance as an index to interior "essence." Ultimately we see how competing preoccupations over gender, class, race, and American identity were played out in the making of a wide range of popular and institutional photographs. Smith demonstrates that as the body was variously mapped and defined as the key to essentialized identities, the image of the white middle-class woman was often held up as the most complete American ideal. She begins by studying gendered images of middle-class domesticity to expose a transformation of feminine architectures of interiority into the "essences" of "blood," "character," and "race." She reads visual documents, as well as literary texts by Nathaniel Hawthorne, Pauline Hopkins, and Theodore Dreiser, as both indices of and forms of resistance to dominant images of gender, class, race, and national identity. Through this analysis Smith shows how the white male gaze that sought to define and constrain white women and people of color was contested and transformed over the course of the nineteenth century. Smith identifies nineteenth-century visual paradigms that continue to shape debates about the terms of American belonging today. American Archives contributes significantly to the growing field of American visual cultural studies, and it is unprecedented in explaining how practices of racialized looking and the parameters of "American looks" were established in the first place.
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Book DetailsISBN: 9780691004785
(229mm x 152mm x 21mm)
Imprint: Princeton University Press
Publisher: Princeton University Press
Publish Date: 29-Nov-1999
Country of Publication: United States
Books By Author Shawn Michelle Smith
Lynching Photographs, Paperback (December 2007)» View all books by Shawn Michelle Smith
Why do we look at lynching photographs? What is the basis for our curiosity, rage, indignation, or revulsion? This book examines lynching photographs as a way of analyzing photography's historical role in promoting and resisting racial violence. It charts the history of lynching photographs - their meanings, uses, and controversial display.
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