Analyzing Popular Music
Edited by Professor Allan F. Moore
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Analyzing Popular Music by Professor Allan F. Moore
Book DescriptionHow do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way.
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Book DetailsISBN: 9780521100359
(229mm x 152mm x 16mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 18-Jan-2009
Country of Publication: United Kingdom
Books By Author Professor Allan F. Moore
Legacies of Ewan MacColl, Hardback (October 2014)
This book contributes significantly to the debate surrounding the importance of Ewan MacColl to the English folk revival. MacColl gave two extended interviews with co-editor Giovanni Vacca in 1987 and 1988 and these provide the impetus for a re-examination of his methods, his politics and his aesthetic aims.
Song Means: Analysing and Interpreting Recorded Popular Song, Hardback (March 2012)
Presents a study of recorded popular song, from the recordings of the 1920s through to the present day.
Analyzing Popular Music, Hardback (May 2003)» View all books by Professor Allan F. Moore
It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with.
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Author Biography - Professor Allan F. Moore
Allan F. Moore is Professor of Popular Music and Head of the School of Performing Arts at the University of Surrey. He is author of Rock: The Primary Text and editor of The Cambridge Companion to Blues and Gospel Music. He is also co-editor of the journals Popular Music and Twentieth-Century Music
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