Art History as Cultural History
By (author) Professor Richard Woodfield
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Art History as Cultural History by Professor Richard Woodfield
Book DescriptionThis book focuses on Aby Warburg (1866-1929), one of the legendary figures of twentieth century cultural history. His collection, which is now housed in the Warburg Institute of the University of London bears witness to his idiosyncratic approach to a psychology of symbolism, and explores the Nachleben of classical antiquity in its manifold cultural legacy. This collection of essays offers the first translation of one of Warburg's key essays, the Gombrich lecture, described by Carlo Ginzburg as 'the richest and most penetrating interpretation of Warburg' and original essays on Warburg's astrology, his Mnemosyne project and his favourite topic of festivals. Richard Woodfield is Research Professor in the Faculty of Art and Design at the Nottingham Trent University, England. He has edited E.H Gombrich's Reflections on the History of Art (1987), Gombrich on Art and Psychology (1996), The Essential Gombrich (1996), and a volume on Riegl in the Critical Voices in Art, Theory and Culture series. He is also the General Editor of a new series of books for G+B Arts International, Aesthetics and the Arts. Edited by Richard Woodfield, Research Professor in the Faculty of Art and Design at Nottingham Trent University, UK.
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Book DetailsISBN: 9789057010033
(234mm x 156mm x 16mm)
Publisher: Taylor & Francis Ltd
Publish Date: 7-Mar-2001
Country of Publication: United Kingdom
Books By Author Professor Richard Woodfield
Pictures-Within-Pictures in Nineteenth-Century Britain, Hardback (July 2016)
Repainting the work of another into one's own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images.
British Romanticism and the Reception of Italian Old Master Art, 1793-1840, Hardback (November 2014)» View all books by Professor Richard Woodfield
Offering cultural, historical and literary readings of the responses to Italian Old Master art by early nineteenth-century writers, McCue illuminates the important role these artworks played in shaping the themes that are central to our understanding of Romanticism. She argues that they informed the writing of Romantic period authors.
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