The Art of Twentieth-Century American Poetry
Modernism and After
By (author) Charles Altieri
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Art of Twentieth-Century American Poetry by Charles Altieri
Book DescriptionWritten by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems. This work: encourages readers to identify with the modernists' sense of the revolutionary possibilities of their art; embraces four generations of modernist American poets up through to the 1980s; gives readers a sense of the ambitions, the disillusionments and the continuities of modernist poetry; and, includes close readings of particular poems which show how readers can use these works to connect with what concerns them.
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Book DetailsISBN: 9781405121064
(242mm x 167mm x 21mm)
Imprint: Wiley-Blackwell (an imprint of John Wiley & Sons Ltd)
Publisher: John Wiley and Sons Ltd
Publish Date: 30-Jan-2006
Country of Publication: United Kingdom
Books By Author Charles Altieri
Every Day but Tuesday, Paperback (December 2015)
Lyric experiments that probe the paradoxes of language and inquiry
Reckoning with the Imagination, Paperback (May 2015)
Charles Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art.
Wallace Stevens and the Demands of Modernity, Paperback (April 2013)
Altieri focuses his attention on the poetry of Wallace Stevens, arguing that critics have failed to appreciate the degree to which modernist poetry, like modernist art, breaks from the epistemology that arose from cultures of empiricism.
Painterly Abstraction in Modernist American Poetry, Paperback (April 2009)» View all books by Charles Altieri
Charles Altieri's book sets modernist American poetry in a precise cultural context.
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Author Biography - Charles Altieri
Charles Altieri is Stageberg Professor of English at the University of California, Berkeley. His previous publications include The Particulars of Rapture: An Aesthetics of the Affects (2003), Subjective Agency: A Theory of First-person Expressivity and its Social Implications (Blackwell, 1994), Postmodernism Now (1999), and Painterly Abstraction in Modernist American Poetry (1990).
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