Artemisia Gentileschi Around 1622
The Shaping and Reshaping of an Artistic Identity
By (author) Mary Garrard
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Artemisia Gentileschi Around 1622 by Mary Garrard
Book DescriptionMary D. Garrard, author of the acclaimed Artemisia Gentileschi, furthers her study of the seventeenth-century artist in this groundbreaking investigation of two little-known paintings. Taking as case studies the Seville Mary Magdalene and the Burghley House Susanna and the Elders, paintings of circa 1621-22 attributed to Artemisia, Garrard examines the ways that identity, gender, and market pressures interact both in the artist's work and in the criticism and connoisseurship that have surrounded it.
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Book DetailsISBN: 9780520228412
(254mm x 178mm x 19mm)
Imprint: University of California Press
Publisher: University of California Press
Publish Date: 21-Feb-2001
Country of Publication: United States
Books By Author Mary Garrard
Reclaiming Female Agency, Paperback (April 2005)
Challenges art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this volume identifies female agency as a central theme of feminist scholarship. It also features essays on artists and issues from the Renaissance onwards.
Expanding Discourse, Paperback (October 1992)
"A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the pre"
Artemisia Gentileschi, Paperback (January 1991)
Artemisia Gentileschi, widely regarded as important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This work shows that her original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.
Feminism and Art History, Paperback (July 1982)» View all books by Mary Garrard
A long-needed corrective and alternative view of Western art history that discusses the extent to which art has been distorted, in every period, by sexual bias.
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Author Biography - Mary Garrard
Mary D. Garrard is Professor of Art at American University. She is the author of Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (1989) and coeditor, with Norma Broude, of Feminism and Art History: Questioning the Litany (1982); The Expanding Discourse: Feminism and Art History (1992); and The Power of Feminist Art: The American Movement of the 1970s, History and Impact (1994).
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