Austria as Theater and Ideology by Michael P. Steinberg
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Austria as Theater and Ideology
By Michael P. Steinberg

Austria as Theater and Ideology

The Meaning of the Salzburg Festival

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Format: Paperback

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Austria as Theater and Ideology by Michael P. Steinberg

Book Description

Austria's renowned Salzburg Festival has from the outset engaged issues of cultural identity in a country that has difficulty coming to terms with its twentieth-century history. That this is the case was especially apparent in 1999, when the Austrian president opened the festival with a speech attacking its profile under the direction of Gerard Mortier and calling for a return to the ideals of its spiritual founder, Hugo von Hofmannsthal. This proved the opening shot in a renewed debate about the direction of the Festival, which is in fact a debate about the identity of Austria itself. The issues posed foreshadowed the uproar that erupted several months later when Joerg Haider's right-wing Freedom Party joined a coalition with the conservative People's Party, wresting control of the government from the Socialists and provoking the wrath of Austria's partners within the European Union. What accounts for the profound intellectual and cultural ambivalences that have characterized Austrian history in the twentieth century?In this highly regarded book, Michael P. Steinberg investigates the goals and meanings of the Salzburg Festival from its origins in the wake of defeat in World War I and the collapse of the Habsburg Empire. He focuses on those aspects that reveal with special clarity the interplay between the Festival's history and the larger problems of Austrian and German ideology and identity. At the heart of his analysis is the problem of "nationalist cosmopolitanism," which he sees as a central element of German and Austrian culture from the period of the German enlightenment on. He shows how the Festival sought to embody and extend this paradoxical tradition and, in the Preface to the Cornell Paperbacks edition, explores the latest chapter in the Austrian culture wars. Steinberg's book is at once a brilliant history of an important cultural institution and a work that deepens our understanding of the unstable relationship between culture and politics in Europe at the beginning of the twenty-first century.

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Book Details

ISBN: 9780801486920
ISBN-10: 0801486920
Format: Paperback
(229mm x 152mm x 18mm)
Pages: 288
Imprint: Cornell University Press
Publisher: Cornell University Press
Publish Date: 17-Aug-2000
Country of Publication: United States

Books By Author Michael P. Steinberg

Judaism Musical and Unmusical by Michael P. Steinberg Judaism Musical and Unmusical, Paperback (February 2008)

Modernity gave rise to a Jewish consciousness that has increasingly distanced itself from the sacred in favor of worldliness and secularity. This book traces the formulation of this secular Jewishness from its Enlightenment roots through the twentieth century to explore the variations of modern Jewish experience in central Europe and beyond.

Listening to Reason by Michael P. Steinberg Listening to Reason, Paperback (March 2006)

Reveals the pivotal role of music - musical works and musical culture - in debates about society, self, and culture that forged European modernity through the 'long nineteenth century'. This book argues that from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity.

Reading Charlotte Salomon by Michael P. Steinberg Reading Charlotte Salomon, Hardback (July 2005)

Featuring contributions from prominent art historians, literary and cultural critics, and historians, Reading Charlotte Salomon celebrates the genius and courage of a remarkable figure in twentieth-century art.

» View all books by Michael P. Steinberg

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Author Biography - Michael P. Steinberg

Michael P. Steinberg is Director of the Cogut Center for the Humanities and Professor of History and Music at Brown University. He is the author of Austria as Theater and Ideology: The Meaning of the Salzburg Festival; Walter Benjamin and the Demands of History (both from Cornell); and Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music.

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