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By (author) Gunter Berghaus
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Avant-garde Performance by Gunter Berghaus
Book DescriptionHow did the concept of the avant-garde come into existence? How did it impact on the performing arts? How did the avant-garde challenge the artistic establishment and avoid the pull of commercial theatre, gallery and concert-hall circuits? How did performance artists respond to new technological developments? Placing key figures and performances in their historical, social and aesthetic context, Gunter Berghaus offers an accessible introduction to post-war avant-garde performance. Written in a clear, engaging style, and supported by text boxes and illustrations throughout, this volume explains the complex ideas behind avant-garde art and evocatively brings to life the work of some of its most influential performance artists. Covering hot topics such as multi-media and body art performances, this text is essential reading for students of theatre studies and performance.
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Book DetailsISBN: 9781403946454
(216mm x 138mm x 21mm)
Imprint: Palgrave Macmillan
Publisher: Palgrave USA
Publish Date: 4-May-2005
Country of Publication: United States
Books By Author Gunter Berghaus
Theatre, Performance, and the Historical Avant-garde, Paperback (January 2010)
A study of the ways in which performance served as a medium of expression for the historical avant-garde
Theatre, Performance and the Historical Avant-Garde, Hardback (February 2006)
Traces the origins of European modernism in Nineteenth-century Paris, branching out to examine every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Futurism, Dadaism, Constructivism, and more.
Performance Research, Paperback (January 1999)» View all books by Gunter Berghaus
This book explores systematic connections between ritual and theatre, presents the work of contemporary artists, and reflects on the role and meaning of ritual for theatrical purposes in the late 20th Century.
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Author Biography - Gunter Berghaus
GUNTER BERGHAUS is Senior Research Fellow at the University of Bristol, UK. He has published widely in the areas of Renaissance and Baroque theatre, popular theatre, dance history, Modernist theatre, and avant-garde performance. As a theatre practitioner he has directed numerous plays from the classical and modern repertoire and devised many productions of an experimental nature.
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