Bach and the Meanings of Counterpoint
By (author) David Yearsley
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Bach and the Meanings of Counterpoint by David Yearsley
Book DescriptionIn Bach's Germany musical counterpoint was an art involving much more than the sophisticated use of advanced compositional techniques. A range of theological, cultural, social and political meanings attached themselves to the use of complex procedures such as canon and double counterpoint. This book explores the significance of Bach's counterpoint in a range of interrelated contexts: its use as a means of reflecting on death; its parallels to alchemy; its vexed status in the galant music culture of the first half of the eighteenth century; its value as a representation of political power; and its central importance in the creation of Bach's image in the nineteenth and twentieth centuries. Touching on a wide array of contemporary literary, philosophical, critical, and musical texts, the book includes new readings of many of Bach's late works in order to re-evaluate the status and meaning of counterpoint in Bach's work and legacy.
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Book DetailsISBN: 9780521090995
(228mm x 152mm x 16mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 27-Nov-2008
Country of Publication: United Kingdom
Books By Author David Yearsley
Bach's Feet, Hardback (January 2012)
Yearsley explores the cultural significance of making music with hands and feet, a mode of performance unique to the organ.
Bach and the Meanings of Counterpoint, Hardback (November 2002)» View all books by David Yearsley
Interpretations of Bach's late compositions which include complex musical techniques such as canon.
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Author Biography - David Yearsley
David Yearsley is an assistant professor at Cornell University. His scholarly work has appeared in the Journal of the American Musicological Society, Early Music, Music & Letters, and the Journal of Seventeenth-Century Music.
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