Bazin at Work
Major Essays and Reviews from the Forties and Fifties
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Bazin at Work by Andre Bazin
Book DescriptionBazin's impact on film art, as theorist and critic, is considered to be greater than that of any single director, actor, or producer. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Bazin at Work is the first English collection of disparate Bazin writings since the appearance of the second volume of What Is Cinema? in 1971. It includes work from Cahiers le cinema (which he founded and which is the most influential single critical periodical in the history of the cinema) and Esprit. He addresses filmmakers including Rossellini, Eisenstein, Pagnol, and Capra and well-known films including La Strada, Citizen Kane, Scarface, and The Bridge on the River Kwai.
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Book DetailsISBN: 9780415900188
(229mm x 152mm x 15mm)
Publisher: Taylor & Francis Ltd
Publish Date: 3-Apr-1997
Country of Publication: United Kingdom
Books By Author Andre Bazin
Andre Bazin's New Media, Paperback (October 2014)
The author's writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the new media" of the 1950s. This book includes reviews and essays addressing new technologies their artistic potential, social influence, and relationship to existing art forms.
Cinema of Cruelty, Paperback / softback (March 2013)
An amazing collection of essays from the father of film...
Andre Bazin and Italian Neorealism, Paperback (November 2011)View all books by Andre Bazin
A collection of posthumous writings on Vittorio De Sica, Roberto Rossellini, and Federico Fellini; lesser known but important neorealist works such as "The Roof", "Forbidden Christ", and "Love in the City"; and vital topics like realism versus reality, neorealism's eclipse amid postwar Italy's economic prosperity.
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Author Biography - Andre Bazin
Bert Cardullo is the film critic of The Hudson Review and Associate Professor of Drama at the University of Michigan at Ann Arbor. He has edited What Is Dramturgy? and Before His Eyes: Essays in Honor of Stanley Kauffmann.
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