African and Diaspora Aesthetics
Edited by Sarah Nuttall
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Beautiful/Ugly by Sarah Nuttall
Book DescriptionIn Cameroon, a monumental "statue of liberty" is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage with and depart from canonical aesthetic theories as they demonstrate that beauty cannot be understood apart from ugliness. Highlighting how ideas of beauty are manifest and how they mutate, travel, and combine across time and distance, continental and diasporic writers examine the work of a Senegalese sculptor inspired by Leni Riefenstahl's photographs of Nuba warriors; a rich Afro-Brazilian aesthetic incorporating aspects of African, Jamaican, and American cultures; and African Americans' Africanization of the Santeria movement in the United States. They consider the fraught, intricate spaces of the urban landscape in postcolonial South Africa; the intense pleasures of eating on Reunion; and the shockingly graphic images on painted plywood boards advertising "morality" plays along the streets of Ghana. And they analyze the increasingly ritualized wedding feasts in Cameroon as well as the limits of an explicitly "African" aesthetics. Two short stories by the Mozambican writer Mia Couto gesture toward what beauty might be in the context of political failure and postcolonial disillusionment. Together the essays suggest that beauty is in some sense future-oriented and that taking beauty in Africa and its diasporas seriously is a way of rekindling hope. Contributors. Rita Barnard, Kamari Maxine Clarke, Mia Couto, Mark Gevisser, Simon Gikandi, Michelle Gilbert, Isabel Hofmeyr, William Kentridge, Dominique Malaquais, Achille Mbembe, Cheryl-Ann Michael, Celestin Monga, Sarah Nuttall, Patricia Pinho, Rodney Place, Els van der Plas, Pippa Stein, Francoise Verges
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Book DetailsISBN: 9780822339182
(220mm x 173mm x 31mm)
Imprint: Duke University Press
Publisher: Duke University Press
Publish Date: 8-Jan-2007
Country of Publication: United States
Books By Author Sarah Nuttall
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The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Colonial era, Golden Age, Video film era and the emerging New Nigerian cinema. This book presents a selection of photographic portraits depicting some of the major Nigerian actors and actress, directors and producers.
At Risk, Paperback (August 2007)
Living with risk is now part of everyday South African life. Violent crime and AIDS pose threats in huge numbers. Shifts in race and class jolt one's sense of identity. Ethically, we are challenged daily by ram-pant need in the face of plenty. This title includes accounts that blow the lid off South African society as we know it.
Senses of Culture, Paperback (November 2000)
An introduction to emerging forms of popular and youth cultures in South Africa. This is an intriguing exploration of the ideas creating the world and its people at the start of the 21st century - from TV and graffiti to fiction and hairdressing.
Negotiating the Past, Paperback (April 1998)» View all books by Sarah Nuttall
This collection of essays by South African academics looks at the ways the country is dealing with its past, a complex mixture of colonialism, slavery, apartheid, struggle, and guilt. The emphasis is on how that past is being perceived and moulded in the post-apartheid era.
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Author Biography - Sarah Nuttall
Sarah Nuttall is Associate Professor of Literary and Cultural Studies at the Wits Institute for Social and Economic Research, University of the Witwatersrand, Johannesburg. She is a coeditor of Senses of Culture: South African Culture Studies; Negotiating the Past: The Making of Memory in South Africa; and Text, Theory, Space: Land, Literature, and History in South Africa and Australia.
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