Benjamin Britten: Peter Grimes
By (author) Philip Brett
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Benjamin Britten: Peter Grimes by Philip Brett
Book DescriptionBenjamin Britten's Peter Grimes is one of the few operas of the last half-century to have gained a secure place in the repertory. Its appearance in 1945 shortly after the end of the war in Europe was a milestone in operatic history as well as in British music. But the origins of the work lie in the United States, where Britten and his friend Peter Pears (the first Grimes) spent the years 1939-42. In 1941 they read an evocative essay by the novelist E. M. Forster on the Suffolk poet George Crabbe (1754-1832); this precipitated Britten's decision to return to his native country, and sent them both to Crabbe's poem, The Borough, which gave them the idea for the plot they drafted together. This book opens with Forster's original essay and his later one on Crabbe and Peter Grimes. From there the reader can trace the history of the opera: in Donald Mitchell's annotated interview with the wife of the librettist, Montagu Slater; in Philip Brett's detailed study of the fascinating documents preserved in the Britten-Pears Library at Aldeburgh; and in his history of the work's stage presentation and critical reception. Hans Keller's remarkable synopsis, first printed in 1952, is complemented by a fine new analytical study by David Matthews of Act II scene 1, the crux of the opera.
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Book DetailsISBN: 9780521297165
(216mm x 138mm x 13mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 26-May-1983
Country of Publication: United Kingdom
Books By Author Philip Brett
Music and Sexuality in Britten, Paperback (November 2006)
Focuses on Benjamin Britten, one of the great British composers. Addressing urgent questions of how an artist's sexual, cultural, and personal identity feeds into specific musical texts, this title examines most of Britten's operas as well as his role in the British cultural establishment of the mid-twentieth century.
William Byrd and His Contemporaries, Hardback (October 2006)
Throughout his distinguished career, Philip Brett wrote about the music of the Tudor period. He carried out pathbreaking work on the life and music of William Byrd (c1540-1628). Collecting these influential essays, this volume is a tribute to Brett's agile mind and to his incomparable skill at synthesizing history and musical analysis.
Decomposition, Paperback (June 2000)» View all books by Philip Brett
Dealing with the decomposition of cultural myths, these essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics.
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