Birth of the Orchestra by John Spitzer
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Birth of the Orchestra
By John Spitzer

The Birth of the Orchestra

History of an Institution, 1650-1815

By (author) See other recent books by John Spitzer See other recent books by Neal Zaslaw
Format: Paperback

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Birth of the Orchestra by John Spitzer

Book Description

This is the story of the orchestra, from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertoires, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.

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Book Details

ISBN: 9780195189551
ISBN-10: 0195189558
Format: Paperback
(248mm x 191mm x 29mm)
Pages: 640
Imprint: Oxford University Press Inc
Publisher: Oxford University Press Inc
Publish Date: 29-Sep-2005
Country of Publication: United States

Other Editions...


Books By Author John Spitzer

American Orchestras in the Nineteenth Century by John Spitzer American Orchestras in the Nineteenth Century, Hardback (April 2012)

Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with. This book reveals that audiences of that era enjoyed far more diverse musical experiences than such focus would suggest.

Birth of the Orchestra by John Spitzer Birth of the Orchestra, Hardback (April 2004)

This is the story of the orchestra, from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organisation, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800.

» View all books by John Spitzer

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Author Biography - John Spitzer

John Spitzer studied with Reuben Brower and Barrington Moore at Harvard, where he received his first degree. He studied musicology and ethnomusicology at Cornell University with William Austin, James Webster, Sotiros Chianis, and Bell Yung. He held a Postdoctoral Fellowship at the University of Pittsburgh (1983-84), then taught at the University of Michigan (1984-87). From 1987 to 2005 he taught at the Peabody Conservatory of the Johns Hopkins University in Baltimore. In 2004 he joined the faculty of the San Francisco Conservatory of Music. He has published scholarly articles on the history of the orchestra, American song, authorship, and authenticity, as well as music reviews and articles in newspapers, magazines, dictionaries, and encyclopedias. Neal Zaslaw holds degrees from Harvard, The Juilliard School, and Columbia University. He is the author of more than 65 articles on baroque music, historical performance practices, Mozart, and the early history of the orchestra, as well as numerous books, including Mozart's Symphonies: Context, Performance Practice, Reception (Oxford, 1989), The Classical Era from the 1740s to the End of the 18th Century (Macmillan, 1989), and most recently, Mozart's Piano Concertos: Text, Context, Interpretation (University of Michigan Press, 1995). A member of the Akademie fur Mozart-Forschung of the Mozarteum and the American Academy of Arts & Sciences, Zaslaw has taught at Cornell University since 1970."

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