Breaking Up America
Advertisers and the New Media World New edition
By (author) Joseph Turow
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Breaking Up America by Joseph Turow
Book DescriptionA study of target marketing, this text exposes the advertising industry and its strategies for homing in on the American consumer. Combining analysis of contemporary practices with an historical perspective, it traces the shift that began in the mid-1970s when advertisers rejected mass marketing in favour of ever more aggressive target marketing. The text shows how advertisers feature America as a nation that is breaking up. The advertising and media industries have understood, and then responded to, the profound sense of division and self-absorption among Americans. It shows how advertisers exploit differences between consumers based on income, age, gender, race, marital status, ethnicity and lifestyles.
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Book DetailsISBN: 9780226817507
(228mm x 150mm x 17mm)
Imprint: University of Chicago Press
Publisher: The University of Chicago Press
Publish Date: 1-Nov-1997
Country of Publication: United States
Books By Author Joseph Turow
Aisles Have Eyes, Hardback (March 2017)
A revealing and surprising look at the ways that aggressive consumer advertising and tracking, already pervasive online, are coming to a retail store near you
Daily You, Paperback (March 2013)
The Internet is often hyped as a means to enhanced consumer power: a hypercustomized media world where individuals exercise unprecedented control over what they see and do. Drawing on research, this book shows how advertisers have come to wield such power over individuals and media outlets - and what can be done to stop it.
Advertising and Consumer Culture Reader, Hardback (April 2009)» View all books by Joseph Turow
We may find ads funny, odd, or even disturbing, but we rarely stop to consider their deeper meaning or function within society. What, exactly, does advertising do? How and why do ads influence us? How does the advertising industry influence our media? This book addresses these questions.
US Kirkus Review » Here's the argument from media expert Turow (Annenberg School of Communications/Univ. of Penn.): The current price of targeting advertising to highly defined market segments is dividing the country into increasingly insular groups of people who care only about others like themselves. Turow (Playing Doctor: Television, Storytelling and Medical Power, 1989) shows how advertising has evolved from a force "making a homogenous people out of a nation of immigrants," as one ad-agency president claimed in the 1920s, to an industry concerned only with making the most money in the most cost-effective manner - by targeting those most likely to purchase the product or service in question. Advertising in the 1950s and early '60s could be generalized as a broad-based pitch to the American people via dominant network television, major radio stations, and mainstream magazines. Since then, cable television has separated the TV audience into specialized viewing segments. Magazines preceded cable television in this regard. Mass-market media are now most useful in promoting products with wide appeal, such as fast food, soft drinks, and sneakers. Another, rather perverse use of mass marketing was employed recently by the Lamborghini automobile company. They advertised in large-circulation US magazines to let the majority of Americans know that their car was prohibitively expensive. This exclusivity would make the car more desirable to the 100 US buyers the company hoped ultimately to reach. Stories such as these keep one entertained throughout this brief, informative book. But Turow, after carefully setting up the facts in his case against the ad industry, never delivers the final blow. He suggests that in many instances advertisers were reacting to societal changes, not necessarily creating them. And he isn't convincing on the gravity of the implied loss of national community resulting from the lack of a shared ad culture. Will society really be worse off if we can't all sing the Oscar Mayer wiener song together? An intriguing book if you ignore its dramatic, somewhat unsubstantiated premise. (Kirkus Reviews)
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