British National Cinema
By (author) Sarah Street
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British National Cinema by Sarah Street
Book DescriptionThe first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
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Book DetailsISBN: 9780415067362
(234mm x 156mm x 14mm)
Publisher: Taylor & Francis Ltd
Publish Date: 28-Feb-1997
Country of Publication: United Kingdom
Books By Author Sarah Street
British Colour Cinema, Paperback (May 2013)
Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.
British National Cinema, Paperback (August 2008)
Offers a comprehensive introduction to the British film industry within an economic, political and social context. Using the notions of 'official' and 'unofficial' cinema, the author demonstrates how British cinema has been both 'respectable' and 'disreputable' according to the prevailing notions of what constitutes good cinema.
Queer Screen, Paperback (May 2007)» View all books by Sarah Street
Contains articles published in "Screen" between 1990 and 2004, spanning the period during which queer studies and the 'New Queer Cinema' flourished. This work addresses issues of bodies and technologies, as well as reprinting the debate, spanning several issues of the journal, about the 'queer' movie "Boys Don't Cry".
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