Britten's Musical Language
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Britten's Musical Language by Philip Rupprecht
Book DescriptionBlending insights from linguistic and social theories of speech, ritual and narrative with music-analytic and historical criticism, Britten's Musical Language offers interesting perspectives on the composer's fusion of verbal and musical utterance in opera and song. It provides close interpretative studies of the major scores (including Peter Grimes, Billy Budd, The Turn of the Screw, War Requiem, Curlew River and Death in Venice) and explores Britten's ability to fashion complex and mysterious symbolic dramas from the interplay of texted song and a wordless discourse of motives and themes. Focusing on the performative and social basis of language, Philip Rupprecht replaces traditional notions of textual 'expression' in opera with the interpretation of topics such as the role of naming and hate speech in Peter Grimes; the disturbance of ritual certainty in the War Requiem; and the codes by which childish 'innocence' is enacted in The Turn of the Screw.
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Book DetailsISBN: 9780521031035
(247mm x 174mm x 20mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 23-Nov-2006
Country of Publication: United Kingdom
Books By Author Philip Rupprecht
British Musical Modernism, Hardback (July 2015)
The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.
Rethinking Britten, Hardback (September 2013)» View all books by Philip Rupprecht
This book offers a new account of the composer's enduring popularity. 12 essays by a group of leading senior and emerging scholars offer fresh historical and interpretive contexts for all phases of Britten's career.
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Author Biography - Philip Rupprecht
Philip Rupprecht is Assistant Professor at Brooklyn College and the Graduate Center, City University of New York. He has written on Britten in a number of journals and is a contributor to The Cambridge Companion to Benjamin Britten (1999).
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