Cities of the Dead
By (author) Joseph Roach
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Cities of the Dead by Joseph Roach
Book DescriptionThe colorful handmade costumes of beads and feathers swirl frenetically, as the Mardi Gras Indians dance through the streets of New Orleans in remembrance of a widely disputed cultural heritage. Iroquois Indians visit London in the early part of the eighteenth century and give birth to the "feathered people" in the British popular imagination. What do these seemingly disparate strands of culture share over three hundred years and several thousand miles of ocean? Artfully interweaving theatrical, musical, and ritual performance from the eighteenth century to the present in London and New Orleans, Cities of the Dead takes a look at a rich continuum of intercultural exchange that reinvents, recreates, and restores history. Complemented with fifty-five illustrations, including spectacular photos of the famed Mardi Gras Indians, this fascinating work employs an entirely unique approach to the study of culture. Rather than focusing on one region, Cities of the Dead explores broad cultural connections over place and time, showing through myriad examples how performance can revise the unwritten past.
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Book DetailsISBN: 9780231104616
(226mm x 155mm x 21mm)
Imprint: Columbia University Press
Publisher: Columbia University Press
Publish Date: 27-Mar-1996
Country of Publication: United States
Books By Author Joseph Roach
First Actresses, Hardback (January 2011)» View all books by Joseph Roach
The First Actresses explores the vibrant and sometimes controversial relationship between art, gender and the theatre in 18th-century England. Combining masterpieces with newly discovered works, the book explores the ways in which actresses used portraiture to enhance their reputations, deflect scandal and increase their popularity and status.
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Author Biography - Joseph Roach
Joseph Roach is professor of English at Tulane University. He is the author of The Player's Passion: Studies in the Science of Acting, which won the Barnard Hewitt Award, and coeditor, with Janeele Reinelt, of Critical Theory and Performance.
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