Buster Keaton, Physical Humor and Bodily Coping
By (author) Noel Carroll
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Comedy Incarnate by Noel Carroll
Book DescriptionIn Comedy Incarnate, Noel Carroll surveys the characteristics of Buster Keaton's unique visual style, to reveal the distinctive experience of watching Keaton's films. * Bold and provocative thesis written by one of America's foremost film theorists * Takes a unique look at the philosophies behind Keaton's style * Weighs visual elements over narrative form in the analysis of the Keaton's work * Provides a fresh vantage point for analysis of film and comedy itself
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Book DetailsISBN: 9781405155250
(239mm x 161mm x 17mm)
Imprint: Wiley-Blackwell (an imprint of John Wiley & Sons Ltd)
Publisher: John Wiley and Sons Ltd
Publish Date: 5-Jan-2007
Country of Publication: United Kingdom
Books By Author Noel Carroll
Humour: A Very Short Introduction, Paperback (January 2014)
Humour is a universal feature of human life. In this Very Short Introduction Noel Carroll considers the nature and value of humour, from its leading theories and its relation to emotion and cognition, to ethical questions of its morality and its significance in shaping society.
Minerva's Night Out, Paperback (October 2013)
Minerva s Night Out presents series of essays by noted philosopher and motion picture and media theorist Noel Carroll that explore issues at the intersection of philosophy, motion pictures, and popular culture.
Art in Three Dimensions, Paperback (July 2012)» View all books by Noel Carroll
Art in Three Dimensions is a collection of essays by a leading figure in the philosophy of art. The animating idea behind Carroll's work is that philosophers of art should look beyond aesthetics and refocus their attention on the ways in which art enters the life of culture and influences the moral and emotional experiences of audience members.
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Author Biography - Noel Carroll
Noel Carroll is Distinguished Professor of Philosophy at the Graduate Center of the City University of New York. His recent books include The Philosophy of Motion Pictures (Wiley-Blackwell, 2008) and On Criticism (2008). He is co-editor, with Jinhee Choi, of Philosophy of Film and Motion Pictures (Wiley-Blackwell, 2005).
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