Conrad's Fiction as Critical Discourse
By (author) Richard Ambrosini
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Conrad's Fiction as Critical Discourse by Richard Ambrosini
Book DescriptionJoseph Conrad's comments about his works have commonly been dismissed as theoretically unsophisticated, while the critical notions of James, Woolf and Joyce have come to shape our understanding of the modern novel. Richard Ambrosini's study of Conrad's Fiction as Critical Discourse makes an original claim for the importance of his theoretical ideas as they are formed, tested, and eventually redefined in Heart of Darkness and Lord Jim. Setting the narrator's discourse in these tales in the context of the dynamic interplay of Conrad's fictional with his non-fictional writings, and of the transformations in his narrative forms, Ambrosini defines Conrad's view of fiction and the artistic ideal underlying his commitment as a writer in a new and challenging way. Conrad's innovatory techniques as a novelist are shown in the continuity of his theoretical enterprise, from the early search for an artistic prose and a personal novel form, to the later dislocations of perspective achieved by manipulation of conventions drawn from popular fiction. This reassessment of Conrad's critical thought offers a new perspective on the transition from the Victorian novel to contemporary fiction.
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Book DetailsISBN: 9780521403498
(234mm x 156mm x 19mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 26-Jul-1991
Country of Publication: United Kingdom
Books By Author Richard Ambrosini
Conrad's Fiction as Critical Discourse, Paperback (June 2008)» View all books by Richard Ambrosini
This book makes a claim for the importance of theoretical ideas in Conrad's fiction as they are formed, tested, and eventually redefined.
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