Cool Britannia? British Political Drama in the 1990s
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Cool Britannia? British Political Drama in the 1990s by Dr. Rebecca D'Monte
Book Description"Cool Britannia" is a readable introduction to the variety of evolving and often contradictory styles of political drama that emerged in the 1990s. Drawing on new research, existing studies and leading names in the field, it creates a broad critical framework for approaching the drama of this period, examining both the work of established playwrights as well as the so-called 'In-Yer-Face' generation of young writers who emerged in the mid-1990s. It explores a wide variety of key issues, including: the impact of capitalism and globalisation; cultural politics and issues of nationhood; and, questions and constructions of race and gender.
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Book DetailsISBN: 9781403988126
(216mm x 138mm x 21mm)
Imprint: Palgrave Macmillan
Publisher: Palgrave USA
Publish Date: 19-Nov-2007
Country of Publication: United States
Books By Author Dr. Rebecca D'Monte
British Theatre and Performance 1900-1950, Hardback (February 2015)
British theatre from the first half of the twentieth century is undergoing a critical reevaluation, with many high-profile theatre revivals of plays from the period in recent years. This book explains why by an examination of the variety of work from this period and how it shaped what followed.
Cool Britannia?, Paperback (November 2007)» View all books by Dr. Rebecca D'Monte
Cool Britannia? draws on new research to create a critical framework for approaching the drama of this period. It examines the work of established playwrights as well as the generation of young writers who emerged in the mid-1990s and explores a wide variety of key issues including cultural politics and constructions of race and gender.
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Author Biography - Dr. Rebecca D'Monte
REBECCA D'MONT is Senior lecturer in Drama at the University of the West of England. She is co-editor of Female Communities 1600-1800: Literary Visions and Cultural Realities GRAHAM SAUNDERS is a lecturer in Theatre Studies at the University of Reading. He is author of 'Love Me or Kill Me': Sarah Kane and the Theatre of Extremes, and has published a number of articles on contemporary British and Irish drama for the journals Contemporary Theatre Review, New Theatre Quarterly, Journal of Beckett Studies and Theatre Research International
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