British Political Drama in the 1990s
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Cool Britannia? by Dr. Rebecca D'Monte
Book DescriptionCool Britannia is a readable introduction to the variety of evolving and often contradictory styles of political drama that emerged in the 1990s. Drawing on new research, existing studies and leading names in the field, it creates a broad critical framework for approaching the drama of this period, examining both the work of established playwrights as well as the so-called 'In-Yer-Face' generation of young writers who emerged in the mid-1990s. It explores a wide variety of key issues, including: the impact of capitalism and globalisation; cultural politics and issues of nationhood; questions and constructions of race and gender.
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Book DetailsISBN: 9781403988133
(217mm x 139mm x 15mm)
Imprint: Palgrave Macmillan
Publisher: Palgrave USA
Publish Date: 19-Nov-2007
Country of Publication: United States
Books By Author Dr. Rebecca D'Monte
British Theatre and Performance 1900-1950, Hardback (February 2015)
British theatre from the first half of the twentieth century is undergoing a critical reevaluation, with many high-profile theatre revivals of plays from the period in recent years. This book explains why by an examination of the variety of work from this period and how it shaped what followed.
Cool Britannia? British Political Drama in the 1990s, Hardback (November 2007)» View all books by Dr. Rebecca D'Monte
An introduction to the various styles of political drama that emerged in the 1990s, this book examines both the work of established playwrights as well as the so-called 'In-Yer-Face' generation of young writers who emerged in the mid-1990s.
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Author Biography - Dr. Rebecca D'Monte
REBECCA D'MONTE is Senior lecturer in Drama at the University of the West of England, UK. She is co-editor of Female Communities 1600-1800: Literary Visions and Cultural Realities GRAHAM SAUNDERS is a lecturer in Theatre Studies at the University of Reading, UK. He is author of 'Love Me or Kill Me': Sarah Kane and the Theatre of Extremes, and has published a number of articles on contemporary British and Irish drama for the journals Contemporary Theatre Review, New Theatre Quarterly, Journal of Beckett Studies and Theatre Research International
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