Cosimo I de' Medici and his Self-Representation in Florentine Art and Culture by Henk Th. Van Veen
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Cosimo I de' Medici and his Self-Representation in Florentine Art and Culture
By Henk Th. Van Veen

Cosimo I de' Medici and his Self-Representation in Florentine Art and Culture

From Lofty Ruler to Citizen Prince

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Format: Hardback

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Cosimo I de' Medici and his Self-Representation in Florentine Art and Culture by Henk Th. Van Veen

Book Description

In this study, first published in 2006, Henk Th. van Veen reassesses how Cosimo de' Medici represented himself in images during the course of his rule. Traditionally, Cosimo is seen to be posing as a republican prince in the images made of him during the early years of his reign; as his power grew, he represented himself as a proud dynastic and territorial ruler. By contrast, van Veen argues that Cosimo represented himself as a lofty ruler in the initial phase of his regime, but that from 1559 onwards he posed as a citizen-prince. Analyzing all of Cosimo's major commissions, both art and architecture, to support his argument, van Veen also examines historiographical and literary evidence, as well as the civic traditions, rites, and customs that Cosimo promoted in sixteenth-century Florence.

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Book Details

ISBN: 9780521837224
ISBN-10: 0521837227
Format: Hardback
(253mm x 177mm x 17mm)
Pages: 280
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 21-Aug-2006
Country of Publication: United Kingdom

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Books By Author Henk Th. Van Veen

Cosimo I de' Medici and His Self-Representation in Florentine Art and Culture by Henk Th. Van Veen Cosimo I de' Medici and His Self-Representation in Florentine Art and Culture, Paperback (July 2013)

In this study, first published in 2006, van Veen reassesses how Cosimo de' Medici represented himself in images.

» View all books by Henk Th. Van Veen

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Author Biography - Henk Th. Van Veen

Henk Th. van Veen is Professor of Art History at the University of Groningen in the Netherlands. A scholar of Italian Renaissance art, he is author of Tuscany and the Low Countries: An Introduction to the Sources and An Inventory of Four Florentine Libraries and editor (with Frans Grijzenhout) of The Golden Age of Dutch Painting in Historical Perspective, and has contributed to the Journal of the Warburg and Courtauld Institutes, Burlington Magazine, and Prospectives.

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