Edited by Kobena Mercer
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Cosmopolitan Modernisms by Kobena Mercer
Book DescriptionThis first book in the Annotating Art's Histories series revisits the period in which modernist attitudes took shape, examining the ways in which a shared history of art and ideas was experienced in different nations and cultures. Original essays by leading art historians and curators trace the dynamic interplay of cultures across the story of modern art, looking at moments of crisis and innovation in modernism's cross-cultural past. An account of colonialism and nationalism in Indian art from the 1890s to the 1920s, for example, suggests that cultural identities are constantly modifying one another in the very moment of their encounter and points to primitivism as a counter-discourse to modernism. A collision between modernism and colonialism in the design of a Bauhaus model housing project reveals the volatile conditions of European modernism in the 1930s. Discussions of the abstract painting of Norman Lewis and the collages of Romare Bearden illustrate the conflicted experiences and multiple affiliations of African American artists in the New York art world of the 1940s and 1950s. The first English translation of an influential essay in the Brazilian neoconcrete movement of the 1950s takes up concerns similar to those of North American minimalism in the 1960s. These and the other journeys into modernism's past described in Cosmopolitan Modernisms return to our contemporary moment with questions about modern art and modernity that we are only beginning to ask.Copublished with inIVA/Institute of International Visual Arts, London.
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Book DetailsISBN: 9780262633215
(235mm x 184mm x 19mm)
Imprint: MIT Press
Publisher: MIT Press Ltd
Publish Date: 5-Aug-2005
Country of Publication: United States
Books By Author Kobena Mercer
Travel & See, Paperback (April 2016)
In this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform perceptions of race.
Hew Locke, Hardback (May 2011)
Hew Locke: Stranger in Paradise is a monograph focusing on the internationally renowned artist Hew Locke, who was short-listed for the Fourth Plinth Project in Trafalgar Square, London.
Exiles, Diasporas and Strangers, Paperback (February 2008)
The first thematic and cross-cultural overview of the experiences of migration and displacement that characterize so much of twentieth-century art.
Pop Art and Vernacular Cultures, Paperback (September 2007)» View all books by Kobena Mercer
A cross-cultural perspective on the aesthetics and politics of pop art.
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Author Biography - Kobena Mercer
Kobena Mercer is a writer and critic living in London. He is the editor of Pop Art and Vernacular Cultures, Cosmopolitan Modernisms, and Discrepant Abstraction (all published by The MIT Press and inIVA), author of Welcome to the Jungle: New Positions in Black Cultural Studies, and an inaugural recipient of the Clark Prize for Excellence in Arts Writing, presented by the Sterling and Francine Clark Art Institute.
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