Cosmos and Hearth
A Cosmopolite's Viewpoint
By (author) Yi-fu Tuan
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Cosmos and Hearth by Yi-fu Tuan
Book DescriptionIn this meditation on the difficult choices facing humanity in the next millenium, the author reaffirms his faith in the value of a cosmopolitan world view. He argues that "cosmos" and "hearth" are two scales that anchor what it means to be fully and happily human. Hearth is our house and neighbourhood, family and kinsfolk, habit and custom. Cosmos, by contrast, is the larger reality beyond - "world", "civilization" and "humankind". Illustrating the importance of both cosmos and hearth with examples from traditional China and the modern United States, the author concludes that the universal ideals of enlightenment, an attribute of the cosmic viewpoint of both East and West, can still inspire us with their characteristics.
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Book DetailsISBN: 9780816627301
(216mm x 138mm x 18mm)
Imprint: University of Minnesota Press
Publisher: University of Minnesota Press
Publish Date: 1-Mar-1996
Country of Publication: United States
Books By Author Yi-fu Tuan
Landscapes of Fear, Paperback (April 2013)
"Originally published by Pantheon Books, a division of Random House, Inc., New York, in 1979."
Religion, Hardback (March 2010)
Argues that religion is a perennial quest for safety, certainty, and spiritual elevation that initially was oriented in place and cultural practices - but in its highest reaches, religion moves toward universalism and placelessness. Drawing examples from Christian and Buddhist traditions, this book explores placelessness of religious experience.
Geography and the Human Spirit, Paperback (July 2002)» View all books by Yi-fu Tuan
In Geography and the Human Spirit, Buttimer ranges widely from Plato to Barry Lopez, from the Upanishads to Goethe, taking an interdisciplinary look at the ways in which human beings have turned to natural science, theology, and myth to form visions of the earth as a human habitat.
US Kirkus Review » Can humans meld the desire for a cozy, immediate surrounding with the broadening aspects of cosmopolitanism? This is Tuan's (Passing Strange and Wonderful: Aesthetics, Nature, and Culture, 1993, etc.) central question in a ranging, very personal study. Up front, Tuan stakes claim to his cosmopolitan leanings; for him they represent optimism, playfulness, inquisitiveness, opposition to dogma. Yet he also appreciates home and hearth and their gifts of nurturance and renewal, though he is troubled by the current trend toward particularism and the drumbeat of ethnic heritage - does not the typical movement of life tend from hearth to cosmos? The product of both a Chinese and American (and Australian and English) upbringing, Tuan penetrates both cultures to see how they have dealt with the attractions of home and horizon. In China Tuan finds strong pullings in both directions: cosmic harmony and Confucian humanity, an authoritarian heavenly order versus a chaotic heterogeneity on earth. In the US he samples both our worldly role as economic and military power, and the rise of ethnic and cultural aspirations that have a very close-quarters vision. From these deliberations, Tuan proposes his own version of high modernism (optimistic, playful, etc.) couched in front of a cosmopolitan hearth: Know your own place, but know other places as well, the differences contributing to self-awareness. Those many hearths, that self-awareness, yield the ultimate peace: the acceptance of our impermanence. Go forth, read widely, laugh, be open to life's mysterious workings, think, think, think - Tuan's credos are laudable and engagingly presented, but hardly earthshaking. Readers may wish a bit more spontaneity from Tuan, a man forever on the lookout to improve and elevate. Regarding sex, for instance, he wants to "convert the raw throbs of the body into grand human passions," via literature. So what's wrong with a little unreconstructed raw throbbing? (Kirkus Reviews)
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