Creativity, Communication and Cultural Value
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Creativity, Communication and Cultural Value by Keith Negus
Book Description'There have been few critical engagements with the concept of creativity in recent years, so the authors provide an important contribution in drawing attention to what is arguably at the heart of much of what we most value in culture' - Douglas Kellner, University of California, Los Angeles 'In this important book, Keith Negus and Michael Pickering challenge commonplace assumptions about creativity and casual invocations of genius. They give comfort neither to popular wisdom nor to academic convention. Drawing on the work of philosophers, sociologists, political theorists and economists, as well as artists, musicians and novelists, they raise profound questions about the very ideas which sustain our understanding of art and culture' - Professor John Street, University of East Anglia 'It's all too rare to read a cultural studies book that offers any real originality.This one achieves this, not only by addressing debates and sources neglected in the field, but also by traversing high and low culture, and all points between' - Dave Hesmondhalgh, The Open University Creativity has become a buzzword and key issue in debates about cultural policy, human growth and the media and cultural industries. It has also become a very misused term used to describe anything from musical and artistic genius, to shady financial accounting, to the teaching of children and the management of employees. But what does it mean? Negus and Pickering provide a clear and logical way of understanding what we describe as creative, and how this term has become central to attaching cultural value. Their book: * Develops an approach which enables us to think of creativity as both ordinary and exceptional * Focuses on creativity as a way of rethinking key concepts in the study of culture such as: Convention; innovation; tradition and experience. This book is useful to those studying Media and Cultural Studies who need to understand Cultural Production, Communication, Popular Culture and Cultural Theory.
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Book DetailsISBN: 9780761970767
(234mm x 156mm x 10mm)
Imprint: SAGE Publications Ltd
Publisher: SAGE Publications Ltd
Publish Date: 18-May-2004
Country of Publication: United Kingdom
Books By Author Keith Negus
Popular Music Studies, Paperback (July 2002)
The study of popular music has reached an exciting and important moment in its development. "Popular Music Studies" introduces students to the most significant debates in the field, offering fresh perspectives and suggesting new directions.
Music Genres and Corporate Cultures, Hardback (June 1999)
Music Genres and Corporate Cultures explores the relationship between economics and culture, and between corporate organisation and cultural forms.
Popular Music in Theory, Paperback (November 1996)» View all books by Keith Negus
aeo This is a clear and straightforward introduction to the main issues raised by the study of popular music, written by a leading authority in the field. aeo It is wide--ranging and covers the main studies and theoretical contributions to the field, including studies of the industry, and of the reception and use of popular music in everyday life.
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Author Biography - Keith Negus
Keith Negus entered higher education as a mature student, having spent many years playing keyboards and guitar in a variety of bands after leaving school. He gained a degree in Sociology from Middlesex Universit and then completed a PhD study of the acquisition, production and promotion of recording artists at SouthBank University. He subsequently taught at the Universities of Leicester and Puerto Rico and was based in the Department of Media and Communications prior to moving the Department of Music at Goldsmiths. He is Director of the Popular Music Research Unit, convenor of BMus Popular Music, convenor of the MA Music (Popular Music Research) and a coordinating editor of Popular Music (Cambridge University Press). Michael has published over a hundred articles and chapters in edited collections. These cover a number of areas including popular music, racism and popular culture, imperialism and theatrical history, Mass Observation, working-class writing, news and documentary, stereotyping and representation, humour and comedy, creativity and cultural production, media and memory, and historical hermeneutics. Overall his work covers the fields of media and communication studies, social and cultural history, and the sociology of art and culture. Michael has also written extensively on research methods, having edited collections on methods in cultural studies and memory studies, and been co-author of Researching Communications (Bloomsbury, 2007), along with David Deacon, Peter Golding and Graham Murdock. He has recently completed a major AHRC research project on music in the workplace, with Marek Korczynski of Nottingham University and Emma Robertson of La Trobe University. Their book, Rhythms of Labour: The History of Music at Work in Britain, is published by Cambridge University Press. With Emily Keightley, Michael is currently involved in a research project funded by the Leverhulme Trust on media and memory. Their book The Mnemonic Imagination is published by Palgrave Macmillan.
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