Critical Terms for Art History
2nd Revised edition
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Critical Terms for Art History by Robert S. Nelson
Book Description"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain." But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms for Art History" both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from "sign" to "meaning," "ritual" to "commodity." Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's "To Fix the Image in Memory," a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones "performance," "style," "memory/monument," "body," "beauty," "ugliness," "identity," "visual culture/visual studies," and "social history of art" as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young"
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Book DetailsISBN: 9780226571683
(237mm x 168mm x 32mm)
Imprint: University of Chicago Press
Publisher: The University of Chicago Press
Publish Date: 25-Apr-2003
Country of Publication: United States
Books By Author Robert S. Nelson
New Testament in Byzantium, Hardback (December 2016)
The New Testament in Byzantium draws on the current state of textual scholarship and explores aspects of the New Testament, particularly as it was imagined in lectionaries, hymns, homilies, saints' lives, miniatures, and monuments framing Byzantine Christian theological inquiry, ecclesiastical controversy, and political thought.
Old Testament in Byzantium, Paperback (January 2014)
The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
San Marco, Byzantium, and the Myths of Venice, Hardback (December 2010)
The church of San Marco of Venice has long played a central role in Venetian political, ceremonial, and religious life. This title assesses the significance of the embellishment of the church and its immediate surroundings, especially during the 13th and 14th centuries, when most of the Byzantine material was acquired, largely from Constantinople.
Monuments and Memory, Made and Unmade, Paperback (March 2004)» View all books by Robert S. Nelson
Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale killings in the Pacific Northwest serve to represent and negotiate time.
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Author Biography - Robert S. Nelson
Robert S. Nelson is a Distinguished Service Professor of Art History and History of Culture at the University of Chicago. Lately he has edited "Visuality before and beyond the Renaissance: Seeing as Others Saw" and is currently working on a book about the modern lives of Hagia Sophia in Istanbul. Richard Shiff is the Effie Marie Cain Regents Chair in Art and director of the Center for the Study of Modernism at the University of Texas at Austin. He is the author of "Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art.""
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