The Dada Seminars
CASVA Seminar Papers I
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Dada Seminars by Leah Dickerman
Book DescriptionThis volume of 12 essays fills a broad gap in Modernist art history. Taken together, these case studies on artists and concepts present Dada as a coherent movement with a set of operating principles. Among the " tactics" elaborated are the hyperbolic mimicry of dominant social and linguistic conventions, the performance of gender and other aspects of identity, the usurpation of the modes of a new media culture and the marketplace, and the recycling of history and memory in a world traumatized by war. The Dada Seminars developed out of a series held by the Center for Advanced Study in the Visual Arts at the National Gallery of Art, in advance of 2005's major traveling exhibition on international Dada. Contributors include George Baker, T.J. Demos, Leah Dickerman, Uwe Fleckner, Hal Foster, Amelia Jones, David Joselit, Marcella Lista, Helen Molesworth, Arnauld Pierre, Jeffrey T. Schnapp and Matthew S. Witkovsky.
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Book DetailsISBN: 9781933045139
(256mm x 179mm x 25mm)
Imprint: Distributed Art Publishers
Publisher: Distributed Art Publishers
Publish Date: 1-Jun-2005
Country of Publication: United States
Books By Author Leah Dickerman
Jacob Lawrence, Hardback (February 2015)
In 1941, Jacob Lawrence, then just twenty-three years old, completed a series of sixty small tempera paintings with text captions about the Great Migration. This publication both grounds Lawrences Migration series in the cultural and political debates that shaped the young artist's work.
Inventing Abstraction, 1910-1925, Hardback (January 2013)
In 1912, in several European cities, a handful of artistsNVasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert DelaunayNpresented the first abstract pictures to the public. "Inventing Abstraction, " published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork.
Inventing Abstraction 1910-1925, Hardback (January 2013)» View all books by Leah Dickerman
Explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice. This book brings together the influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way.
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