Debussy and His World
Edited by Jane F. Fulcher
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Debussy and His World by Jane F. Fulcher
Book DescriptionClaude Debussy's Paris was factionalized, politicized, and litigious. It was against this background of ferment and change--which characterized French society and music from the Franco-Prussian War to World War I--that Debussy re-thought music. This book captures the complexity of the composer's restless personal and artistic identity within the new picture emerging of the musical, social, and political world of fin-de-siecle Paris. Debussy's setting did not simply mold his style. Rather, it challenged him to define a style and then to revamp it again and again as he situated himself simultaneously via the present and the past. These essays trace Debussy's perpetual reinvention, both social and creative, from his earliest to his last works. They explore tensions and contradictions in his best-known compositions and examine lesser-known pieces that reveal new aspects of Debussy's creative appropriation from poetry, painting, and non-Western music. The contributors reveal the extent to which Debussy's personal and professional lives were intertwined and sometimes in conflict. Belonging to no one group or class, but crossing many, Debussy abjured the orthodox. A maverick who reviled all convention and searched for a music that authentically reflected experience, Debussy balked at entering any situation--salons, musical societies, or factions--that would categorize and thus distort him. Because of this, music lovers still argue over the degree to which Debussy's music is Impressionist, symbolist, or even French. Aptly, the volume's editor reads Debussy's last works as a dialogue with himself that reflects his inherently pluralistic, paradoxical, negotiated, and ever-changing identity. William Austin's description of Debussy as "one of the most original and adventurous musicians who ever lived" is often repeated. This book illustrates how right Austin was and shows why Debussy's unclassifiable art continues to fascinate and perplex his historians even as it enthralls new listeners. The contributors are Leon Botstein, Christophe Charle, John Clevenger, Jane F. Fulcher, David Grayson, Brian Hart, Gail Hilson-Woldu, and Marie Rolf.
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Book DetailsISBN: 9780691090429
(229mm x 152mm x 25mm)
Imprint: Princeton University Press
Publisher: Princeton University Press
Publish Date: 6-Aug-2001
Country of Publication: United States
Books By Author Jane F. Fulcher
Opera and Society in Italy and France from Monteverdi to Bourdieu, Paperback (December 2009)
A study of opera in Italy and France from the 1600s to the present day.
Composer as Intellectual, Hardback (March 2005)
As a follow-up to her book exploring musical and political cultures in France from the Dreyfus Affair to the First World War, Jane Fulcher now applies the same approach to the years from 1914-1940, arguing that French musical meanings are best explained not in terms of artistic movements, but rather in terms of the political culture.
Nation's Image, Paperback (August 2002)» View all books by Jane F. Fulcher
Professor Fulcher argues that French grand opera was a subtly used tool of the state.
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