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Decomposition by Sue-Ellen Case
Book DescriptionThe fluid nature of performance studies and the widening embrace of the idea of performativity has produced in Decomposition: Post-Disciplinary Performance a collection of great interest that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics.
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Book DetailsISBN: 9780253213747
(236mm x 157mm x 15mm)
Imprint: Indiana University Press
Publisher: Indiana University Press
Publish Date: 22-Jun-2000
Country of Publication: United States
Books By Author Sue-Ellen Case
Feminism and Theatre, Hardback (January 2016)
First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Feminist and Queer Performance, Paperback (November 2008)
Sue-Ellen Case is arguably the most influential and significant scholar in feminist and queer theatre studies. This collection brings together her most important writing. Framing this with new introductory material, Sue-Ellen Case contextualises her work within broader developments in critical theory and feminist / lesbian studies.
Staging International Feminisms, Hardback (October 2007)
This is a landmark anthology of international feminist theatre research. A three-part structure orientates readers through Cartographies of feminist critical navigations of the global arena; the staging of feminist Interventions in a range of international contexts; and Manifestos for today's feminist practitioners, activists and academics.
Performing Science and the Virtual, Paperback (November 2006)» View all books by Sue-Ellen Case
From Faust and Edison, to John Cage and "Lara Croft", this book reviews classical plays to contemporary issues and examines how science has been performed throughout history. It looks at the intersection of science and performance, and is useful to academics and graduates studying theatre and performance studies, cultural studies and philosophy.
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Author Biography - Sue-Ellen Case
1) Sue-Ellen Case is Chair of the Department of Theatre and Dance at the University of California, Davis. She has authored and edited several books in the field of feminism and performance studies, including Feminism & Theatre; the Domain-Matrix: Performing Lesbian at the End of Print Culture; and Performing Feminisms. 2) Philip Brett is Distinguished Professor of Music at the University of California, Riverside. A leader in gay studies in musicology, he is co-editor of Queering the Pitch: The New Gay and Lesbian Musicology, and he has written extensively on the music of Benjamin Britten. 3) Susan Leigh Foster, choreographer, dancer, writer, is Professor of Dance at the University of California campuses of Riverside and Davis. She is author of Reading Dancing and Choreography and Narrative and editor of Choreographing History and Corporealities.
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