A Critical History
Devising Performance by Dr. Jane Milling
Book DescriptionThe book charts the development of collaboratively-created performances from the 1950s to the present day. Companies discussed include the Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Theatre de Complicite, Legs on the Wall, Forced Entertainment and Third Angel. Against this background of enormous variety, fundamental questions are posed: 'What is devised theatre?'; 'Why have theatre-makers chosen to devise performances since the 1950s?' and 'How has devised performance changed over the last fifty years?'
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Book DetailsISBN: 9781403906632
(216mm x 137mm x 15mm)
Imprint: Palgrave Macmillan
Publisher: Palgrave USA
Publish Date: 23-Sep-2005
Country of Publication: United States
Books By Author Dr. Jane Milling
Devising Performance, Hardback (October 2015)
Devising Performance charts the development of collaboratively created performances from the 1950s to the early twenty-first century. Through a range of case studies drawn from Britain, the USA and Australia, Heddon and Jane encourage us to look more carefully at different modes of devising and to consider their implications in the present day.
Cambridge History of British Theatre, Paperback (March 2015)
The first of three volumes looking at the turbulent public life of performance in Britain.
Lively Arts of the London Stage, 1675-1725, Hardback (March 2014)
Reflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields.
Modern British Playwriting: The 1980s, Hardback (October 2012)» View all books by Dr. Jane Milling
A critical study of the theatre produced in the 1980s with an in-depth analysis of the work of four key playwrights from the decade.
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Author Biography - Dr. Jane Milling
JANE MILLING has taught devising in the studio and the seminar room at Sheffield and Exeter universities, UK. She is co-author, with Graham Ley, of Modern Theories of Performance (Palgrave, 2001), and co-editor, with Peter Thomson, of the first volume of The Cambridge History of British Theatre (CUP, 2001). She has edited Studies in Theatre and Performance and has written several articles on Restoration drama, gender and politics. DEIRDRE HEDDON is Professor of Theatre Studies at the University of Glasgow, UK. Her previous writing has been broadcast on BBC R4, has toured around Scotland, and has been published in anthologies of fiction and on the web. Recent articles have appeared in Studies in Theatre and Performance and in Research in Drama Education.
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