Its Roots and Musical Development
By (author) Gunther Schuller
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Early Jazz by Gunther Schuller
Book DescriptionEarly Jazz is one of the seminal books on American jazz, ranging from the beginnings of jazz as a distinct musical style at the turn of the century to its first great flowering in the 1930s. Schuller explores the music of the great jazz soloists of the twenties--Jelly Roll Morton, Bix Beiderbecke, Bessie Smith, Louis Armstrong, and others--and the big bands and arrangers--Fletcher Henderson, Bennie Moten, and especially Duke Ellington--placing their music in the context of the other musical cultures of the twentieth century and offering analyses of many great jazz recordings. Early Jazz provides a musical tour of the early American jazz world. A classic study, it is both a splendid introduction for students and an insightful guide for scholars, musicians, and jazz aficionados.
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Book DetailsISBN: 9780195040432
(204mm x 135mm x 20mm)
Imprint: Oxford University Press Inc
Publisher: Oxford University Press Inc
Publish Date: 1-May-1986
Country of Publication: United States
Books By Author Gunther Schuller
Gunther Schuller, Hardback (October 2011)
The autobiography of composer and conductor Gunther Schuller and a recounting of the American musical scene through the twentieth century and into the twenty-first.
Musings, Paperback (April 1999)
This volume contains the essays, speeches, liner notes, dictionary entries and magazine articles of Gunther Schuller. The writings cover such artists as Paul Whiteman, Duke Ellington and Sarah Vaughn and topics like the "Third Stream", the art of conducting and the future of opera.
Compleat Conductor, Paperback (April 1999)
Written by a world renowned conductor and composer, this highly provocative critique of modern conducting is sure to spark debate in the music world.
Swing Era, Paperback (March 1992)» View all books by Gunther Schuller
Following on from the author's previous work, "Early Jazz", this detailed history of jazz covers the crucial era which saw the rise of big band swing and the transition to the more "avant-garde" bop style which revolutionized jazz in the 1940s.
US Kirkus Review » This is "educated" inquiry into the origins of jazz from its status as "quasi folk music-more sociological manifestation than music" to the potent individuality and influence we know today. The author concerns himself primarily with African influences from the tremendously complex contrapuntal and polyrhythmic musical development of that continent to the influence of European formality adapted into the Afro-American community. There is careful technical analysis of harmonies, rhythm, technique and Mr. Schuller applies the same intelligent observation to his studies of such innovators as Louis Armstrong, Jolly Roll Morton, Earl Hines, Bix Beiderbecke, James P. Johnson, Bessie Smith, Fletcher Henderson, Coleman Hawkins and Duke Ellington. Too technical for the sideman, this will appeal to the informed buff and/or interested musicologist. 150 musical examples. (Kirkus Reviews)
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