Early Music History: Volume 18
Studies in Medieval and Early Modern Music
Edited by Dr. Iain Fenlon
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Early Music History: Volume 18 by Dr. Iain Fenlon
Book DescriptionEarly Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume eighteen include: The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione; 'Premierement ma baronnie de Chasteauneuf': Jean de Ockeghem, treasurer of St Martin's in Tours; Citation and allusion in the late Ars nova: the case of Esperance and the En attendant songs.
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Book DetailsISBN: 9780521652018
(228mm x 152mm x 27mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 10-May-2001
Country of Publication: United Kingdom
Books By Author Dr. Iain Fenlon
Italian Madrigal in the Early Sixteenth Century, Paperback (February 2013)
This 1988 book examines the genesis and dissemination of the Italian madrigal in its formative stages.
Heinrich Glarean's Books, Hardback (June 2012)
This collection of essays offers a wide range of new interdisciplinary perspectives on Heinrich Glarean's contribution to intellectual life.
Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge, Paperback (February 2010)
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.
Music in Medieval and Early Modern Europe, Paperback (April 2009)» View all books by Dr. Iain Fenlon
This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music.
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