Feminism and Art History by Norma Broude
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Feminism and Art History
By Norma Broude

Feminism and Art History

Questioning the Litany

By (author) See other recent books by Norma Broude See other recent books by Mary Garrard
Format: Paperback

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Feminism and Art History by Norma Broude

Book Description

A long-needed corrective and alternative view of Western art history, these seventeen essays by respected scholars are arranged chronologically and cover every major period from the ancient Egyptian to the present. While several of the essays deal with major women artists, the book is essentially about Western art history and the extent to which it has been distorted, in every period, by sexual bias. With 306 illustrations.

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Book Details

ISBN: 9780064301176
ISBN-10: 0064301176
Format: Paperback
(235mm x 184mm x 23mm)
Pages: 368
Imprint: Westview Press Inc
Publisher: The Perseus Books Group
Publish Date: 21-Jul-1982
Country of Publication: United States

Other Editions...


Books By Author Norma Broude

Reclaiming Female Agency by Norma Broude Reclaiming Female Agency, Paperback (April 2005)

Challenges art history from a feminist perspective. Following their "Feminism and Art History: Questioning the Litany" (1982) and "The Expanding Discourse: Feminism and Art History" (1992), this volume identifies female agency as a central theme of feminist scholarship. It also features essays on artists and issues from the Renaissance onwards.

Expanding Discourse by Norma Broude Expanding Discourse, Paperback (October 1992)

"A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the pre"

» View all books by Norma Broude

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Author Biography - Norma Broude

Norma Broude and Mary D. Garrard are professors of art history at the American University in Washington, D.C., and are leading scholars in the field of feminist art history. Broude is the author of The Macchiaioli: Italian Painters of the Nineteenth Century (1987), Impressionism, A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century (1991), and Georges Seurat (1992). Garrard has written articles and reviews on feminism and art history, Jacopo Sansovino, Michelangelo and Raphael, and Renaissance sculpture. She is the author of Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (1989) and, with Broude, the coeditor of Feminism and Art History: Questioning the Litany (1982).

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