From the Beast to the Blonde
On Fairy Tales and Their Tellers
By (author) Marina Warner
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From the Beast to the Blonde by Marina Warner
Book DescriptionEntrancing, multi-layered and as wittily subversive as fairy tales themselves, this beautifully illustrated work explores and illuminates the unfolding history of the famous tales, the contexts in which they flourished, and the tellers themselves - from ancient sibylis and old crones to Angela Carter and Disney.
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Book DetailsISBN: 9780099479512
(234mm x 152mm x 35mm)
Publisher: Vintage Publishing
Publish Date: 7-Sep-1995
Country of Publication: United Kingdom
Books By Author Marina Warner
Down Below, Paperback (May 2017)
Leonora Carrington is perhaps the most enchanting of the women Surrealists. This book describes the events of 1940, when, after her longtime lover artist Max Ernst was sent to a concentration camp, Carrington was "led across the border of Knowledge" and imprisoned in a sanatorium for the insane.
Tongue of Adam, Paperback (November 2016)
A playful and erudite look at the origins of language
Once Upon a Time, Paperback (July 2016)
In ten succinct chapters, Marina Warner guides us through the rich world of fairy tale, from Cinderella and Hansel and Gretel to Snow White and Pan's Labyrinth. Exploring pervasive themes of folklore, myth, the supernatural, imagination, and fantasy, Warner highlights the impact of the genre on human understanding, history, and culture.
Joan of Arc, Paperback (March 2016)» View all books by Marina Warner
A fascinating study of the symbolism of Joan of Arc in her own time and ever since in literature, politics, on the stage, and on screen.
UK Kirkus Review » Marina Warner has established an enormous reputation particularly with studies that directly address the mythic properties of the Virgin Mary and Joan of Arc. It is then a surprisingly small step from that to this, a work which analyses the way certain stories have demonstrated extraordinary resonance both through the ages and across cultures. She moves effortlessly from Perrault, de la Fontaine and their precursors to the ubiquitous Disney of today, showing the ways in which adaptations reflect the times for which they are written. But her erudition and intelligence are too great for simple answers or synopses to be given or found. Nonetheless stories such as Cinderella and The Little Mermaid, studied in depth in Part 2 with some other archetypal tales, are illuminated with marvellous clarity. (Kirkus UK)
US Kirkus Review » Fabulous erudition marks this intricate study of the classic tales of wonder. Novelist and scholar Warner (Indigo, 1992; Monuments and Maidens, 1985; etc.) avows her sympathy for the fairy tales and tale-tellers on whom she focuses her keen feminist lens. Warner begins by arguing for the centrality to European fairy-tale culture, since ancient times, of old women, both as the oral historians who have passed it on and as key characters in its iconography. Reviled by some, the crones whom Warner spotlights nevertheless appear in formidable guises. Saint Anne, the mother of the Virgin Mary, turns out to be the patron saint of gossips; her attributes survive in fairy tale figures (e.g., fairy godmothers). In a tour de force of scholarly speculation, Warner links the Queen of Sheba, whose riddles were the stuff of legend and who was known for her singular deformity of a webbed foot, to Mother Goose herself. Thus reweaving our understanding of the cultural unconscious, Warner draws on psychoanalysis, on philology, and on a trenchant feminism. While some connections seem stretched, for the most part these threads blend smoothly. The second part of Warner's book analyzes the tales themselves. "Bluebeard," "Beauty and the Beast," and "Donkeyskin," a little-discussed tale of a girl's escape from incest, are the central exhibits. Occasionally Warner lapses into selfindulgence, as in a reverie on the blue of Bluebeard's beard ("the marvellous . . . rare steak . . . melancholy . . . orgone energy"). But her genuine originality shows in her ability to wring fresh psychoanalytic insight out of texts that have been in intensive analysis for decades. The discussion of feet developed in passages on the Queen of Sheba, for example, casts new light on Cinderella's glass slipper; the golden hair and archetypal beasts named in the title are illuminated in similarly provocative ways. One factor contributing to this originality is Warner's astute readings of artworks throughout this sumptuously illustrated book. Marvelously energetic cultural criticism. (Kirkus Reviews)
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Author Biography - Marina Warner
Marina Warner spent her early years in Cairo, and was educated at a convent in Berkshire, and then in Brussels and London, before studying modern languages at Oxford. She is an internationally acclaimed cultural historian, critic, novelist and short story writer. From her early books on the Virgin Mary and Joan of Arc, to her bestselling studies of fairy tales and folk stories, From the Beast to the Blonde, No Go the Bogeyman and Stranger Magic, her work has explored different figures in myth and fairy tale and the art and literature they have inspired. She lectures widely in Europe, the United States and the Middle East, and is currently Professor in the Department of Literature, Film and Theatre Studies, University of Essex. She was appointed CBE in 2008.
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