The Gorgon's Gaze
German Cinema, Expressionism, and the Image of Horror
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Gorgon's Gaze by Paul Coates
Book DescriptionThe Gorgon's Gaze is an interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century. Focusing on pertinent films of the pre- and post-World War II eras, Paul Coates explores the nature of expressionism, which is generally agreed to have ended with the advent of sound cinema, and its persistence in the styles of such modern masters of Film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.
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Book DetailsISBN: 9780521384094
(228mm x 152mm x 21mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 26-Apr-1991
Country of Publication: United Kingdom
Books By Author Paul Coates
Phenomenal Qualities, Hardback (August 2015)
A team of distinguished philosophers and psychologists explore the nature of phenomenal qualities, the qualities of conscious experiences, and the ways in which they fit in with our understanding of mind and reality. This volume offers an indispensable resource for anyone wishing to understand the nature of conscious experience.
Doubling, Distance and Identification in the Cinema, Hardback (January 2015)
This book argues theoretically for, and exemplify through critical and historical analysis, the interrelatedness of discourses on scale, distance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Veronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.
Screening the Face, Hardback (May 2012)» View all books by Paul Coates
Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona.
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