Hitchcock's Romantic Irony
By (author) Richard Allen
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Hitchcock's Romantic Irony by Richard Allen
Book DescriptionIs Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.
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Book DetailsISBN: 9780231135757
(229mm x 152mm x 17mm)
Imprint: Columbia University Press
Publisher: Columbia University Press
Publish Date: 14-Sep-2007
Country of Publication: United States
Books By Author Richard Allen
Hitchcock Annual, Paperback (January 2017)
Hitchcock Annual: Volume 20 contains essays on Hitchcock and C. A. Lejeune; Easy Virtue in context; the West coast setting of and cultural anxiety in The Birds; Hitchcockian aspects of Balachander's The Doll; and Kent Jones's Hitchcock/Truffaut.
Skinhead Escapes, Paperback (November 2016)View all books by Richard Allen
A novel featuring skinhead Joe Hawkins, originally published in 1972.
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Author Biography - Richard Allen
Richard Allen is Associate Professor of Cinema Studies at New York University. He is the author of Projecting Illusion (Cambridge, 1995) and co-editor of four anthologies Film Theory and Philosophy (Oxford, 1997), Hitchcock: Centenary Essays (BFI 1999), Wittgenstein, Theory and The Arts (Routledge, 2001), Camera Obscura/Camera Lucida: Essays in Honor of Annette Michelson (Amsterdam, 2003). He is also editor (with Sid Gottlieb) of the Hitchcock Annual, a journal of Hitchcock Studies.
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