Inside Soviet Film Satire
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Inside Soviet Film Satire by Andrew Horton
Book DescriptionInside Soviet Film Satire is a lively collection of sixteen original essays by Soviet, American and Canadian scholars and film commentators. It is the first indepth examination of an important genre within the Soviet film tradition. From its origins, humour and satire have been closely linked in Soviet cinema. Nowhere in this tradition is there the pure comic genre typified in the West in films by Charlie Chaplin or Buster Keaton; by contrast, Soviet comedy can best be described as 'laughter with a lash'. Films made during the early years of the communist regime depicted characters and situations at a moment when the promise of socialism had yet to be realised. By the final years of totalitarian rule, filmmakers had found ways to create satirical films that powerfully indicted communism itself.
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Book DetailsISBN: 9780521021074
(228mm x 152mm x 11mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 13-Oct-2005
Country of Publication: United Kingdom
Books By Author Andrew Horton
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This wide-ranging celebration of the variety and complexity of international film comedy covers work from the days of silent movies to the present on a global scale, including Europe, the Middle East and Asia as well as the United States.
Russian Critics on the Cinema of Glasnost, Paperback (December 2008)
Essays by Russian commentators of film and culture provide insight into Glasnost and the 1980s.
Screenwriting for a Global Market, Paperback (March 2004)
Cinema is a global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book provides the practical know-how for breaking into the global marketplace. It contains advice on writing for screens large and small, around the world from Hollywood to New Zealand, and from Europe to Russia.
Writing the Character-Centered Screenplay, Paperback (February 2000)» View all books by Andrew Horton
Covering American, international, mainstream, and 'off-Hollywood' films, as well as television, this book offers creative strategies and useful practical information. It places screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character.
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