Invention of Hysteria
Charcot and the Photographic Iconography of the Salpetriere
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Invention of Hysteria by Georges Didi-Huberman
Book DescriptionIn this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type" -- they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.
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Book DetailsISBN: 9780262541800
(254mm x 178mm x 25mm)
Imprint: MIT Press
Publisher: MIT Press Ltd
Publish Date: 15-Oct-2004
Country of Publication: United States
Books By Author Georges Didi-Huberman
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Cube and the Face, Paperback (May 2015)
Alberto Giacometti's 1934 Cube stands apart as a Swiss artist, the abstract sculptural work that otherwise had as its objective the exploration of reality. Drawing on Freud, Bataille, Leiris, and others whom Giacometti counted as influences, this book presents fans and collectors of Giacometti's art with an approach to transitional work.
Images in Spite of All, Paperback (May 2012)» View all books by Georges Didi-Huberman
Of one-and-a-half million photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. This book reveals that these photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance.
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Author Biography - Georges Didi-Huberman
Georges Didi-Huberman teaches at the Ecole des hautes etudes en sciences sociales in Paris. He is a winner of the Distinguished Lifetime Achievement Award for Writing on Art given by the College Art Association.
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