Issues of Death
Mortality and Identity in English Renaissance Tragedy
By (author) Michael Neill
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Issues of Death by Michael Neill
Book DescriptionDeath, like most experiences that we think of as natural, is a product of the human imagination: all animals die, but only human beings suffer Death; and what they suffer is shaped by their own time and culture. Tragedy was one of the principal instruments through which the culture of early modern England imagined the encounter with mortality. The essays in this book approach the theatrical reinvention of Death from three perspectives. Those in Part I explore Death as a trope of apocalypse - a moment of un-veiling or dis-covery that is figured both in the fearful nakedness of the Danse Macabre and in the shameful openings enacted in the new theatres of anatomy. Separate chapters explore the apocalyptic design of two of the periods most powerful tragedies - Shakespeare's Othello, and Middleton and Rowley's The Changeling. In Part 2, Neill explores the psychological and affective consequences of tragedy's fiercely end-driven narrative in a number of plays where a longing for narrative closure is pitched against a particularly intense dread of ending. The imposition of an end is often figured as an act of writerly violence, committed by the author or his dramatic surrogate. Extensive attention is paid to Hamlet as an extreme example of the structural consequences of such anxiety. The function of revenge tragedy as a response to the radical displacement of the dead by the Protestant abolition of purgatory - one of the most painful aspects of the early modern re-imagining of death - is also illustrated with particular clarity. Finally, Part 3 focuses on the way tragedy articulates its challenge to the undifferentiating power of death through conventions and motifs borrowed from the funereal arts. It offers detailed analyses of three plays - Shakespeare's Antony and Cleopatra, Webster's The Duchess of Malfi, and Ford's The Broken Heart. Here, funeral is rewritten as triumph, and death becomes the chosen instrument of an heroic self-fashioning designed to dress the arbitrary abruption of mortal ending in a powerful aesthetic of closure.
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Book DetailsISBN: 9780198184935
(217mm x 138mm x 23mm)
Imprint: Clarendon Press
Publisher: Oxford University Press
Publish Date: 7-Jan-1999
Country of Publication: United Kingdom
Books By Author Michael Neill
Oxford Handbook of Shakespearean Tragedy, Hardback (August 2016)
The Oxford Handbook of Shakespearean Tragedy brings together fifty-four essays by scholars from all parts of the world. It offers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts, written by a playwright who was himself an experienced actor.
Space Within, Paperback (May 2016)
There is a space within you where you are already perfect, whole and complete. It is a space of pure consciousness - the space inside which all thoughts come and go. When you rest in the feeling of this space, the warmth of it heals your mind and body. This book deals with the space of pre consciousness.
Duchess of Malfi, Paperback (September 2014)
The great English Renaissance tragedy-violent, powerful, unforgettable-in a freshly edited and annotated student edition.
Inside-out Revolution, Paperback (May 2013)» View all books by Michael Neill
Would you like to experience amazing clarity, peace and freedom, even in the midst of challenging circumstances? This title explains where our feelings come from and how our experience of life can transform for the better in a matter of moments.
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