Italian Futurist Theatre, 1909-1944
By (author) Gunter Berghaus
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Italian Futurist Theatre, 1909-1944 by Gunter Berghaus
Book DescriptionItalian Futurist Theatre provides an overview of the theatrical activities of the Italian Futurist movement, headed by F. T. Marinetti. It analyses the theory and practice of Futurist performance, covers the theatre work of all leading artists and writers of the movement, and discusses the principal aims and achievements of their theatrical experiments. The main focus of the study is directed towards reconstructing the performance history of Futurist theatre. But it also incorporates aspects of dramatic writing, stage and costume design and theatre architecture, and is heavily illustrated. Although the significance of Futurism for the art and culture of this century is universally acknowledged today, relatively little research has been undertaken with regard to the form of expression that was dearest to the Futurists: theatre. No other art could better demonstrate the movement's concept of 'art as action', propagate its anti-traditionalist stance and demonstrate its modernist aims and aesthetics. Yet the myriads of Futurist experiments in the performing arts have been neglected by scholars, partly because documentation is not easily available, partly because of the inherent problems of reconstructing performances of the past. This volume is the first comprehensive study of Italian Futurist theatre in the English language. It is the result of a major research project, supported by the British Academy, the Italian Ministry of Foreign Affairs, and the Ministry of Cultural Heritage. This highly original book is predominantly based on documents discovered in the course of ten years of extensive investigations in Italian archives, libraries, and private collections.
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Book DetailsISBN: 9780198158981
(242mm x 163mm x 39mm)
Imprint: Clarendon Press
Publisher: Oxford University Press
Publish Date: 3-Sep-1998
Country of Publication: United Kingdom
Books By Author Gunter Berghaus
Theatre, Performance, and the Historical Avant-garde, Paperback (January 2010)
A study of the ways in which performance served as a medium of expression for the historical avant-garde
Theatre, Performance and the Historical Avant-Garde, Hardback (February 2006)
Traces the origins of European modernism in Nineteenth-century Paris, branching out to examine every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Futurism, Dadaism, Constructivism, and more.
Avant-garde Performance, Paperback (May 2005)
How did the concept of the avant-garde come into existence? How did it stimulate developments in the performing arts? Written in a clear, engaging style, and supported by text boxes throughout, this volume presents some of the general characteristics of postwar avant-garde performance and gives detailed coverage to some of the most.
Performance Research, Paperback (January 1999)» View all books by Gunter Berghaus
This book explores systematic connections between ritual and theatre, presents the work of contemporary artists, and reflects on the role and meaning of ritual for theatrical purposes in the late 20th Century.
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