Rebuilding the Cinematic City
By (author) Robert Shail
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Italian Neo-Realism by Robert Shail
Book Description"Italian Neorealism: Rebuilding the Cinematic City" is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of Neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica and Visconti. Films studied include "Rome, Open City" (1945), "Paisan" (1946), "Bicycle Thieves" (1948) and "Umberto D" (1952).
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Book DetailsISBN: 9781904764489
(200mm x 150mm x 10mm)
Imprint: Wallflower Press
Publisher: Wallflower Press
Publish Date: 20-Jun-2005
Country of Publication: United Kingdom
Books By Author Robert Shail
Children's Film Foundation, Hardback (March 2016)
From the 1950s to the 1980s the Children's Film Foundation made films for Saturday morning cinema clubs across the UK - entertaining and educating generations of British children. This first history of this much-loved organisation provides an overview of the CFF's films, interviews with key backstage personnel, and memories of audience members.
Tony Richardson, Hardback (September 2012)
Students and lecturers with an interest in postwar British cinema and culture.
Seventies British Cinema, Hardback (December 2008)
This collection provides an illuminating and enjoyable guide to the popular genres, contexts and styles of film production, key films and film-makers of British cinema in the 1970s, addressing films such as 'The Wicker Man', genres such as punk and sexploitation, and series such as the Bond and 'Carry On' films.
Stanley Baker, Hardback (September 2008)» View all books by Robert Shail
Offers an analysis of the career of Stanley Baker, one of the significant cinema figures to have come out of Wales and sheds considerable light on the image of Welsh national identity and masculinity which he projected.
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Author Biography - Robert Shail
Mark Shiel is Lecturer in Film Studies at King's College, University of London. He is the co-editor of, and contributor to, Cinema and the City (2001) and Screening the City (2003), and has written several articles and book chapters on the cinematic images of New York, Los Angeles, Paris, and Dublin.
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