Interviews, Articles and Reviews, 1943-1993
Edited by Pepe Karmel
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Jackson Pollock by Pepe Karmel
Book DescriptionThis anthology surveys five decades of critical response to Jackson Pollock, bringing together essential and hard-to-find texts from newspapers, journals, and catalogues. It includes all of Pollock's statements about his art as well as interviews with his wife, painter Lee Krasner, providing firsthand testimony about his goals and methods. Reviews of Pollock's early exhibitions reveal the intense interest his work aroused even before he arrived at his famous technique of "dripping" paint. Later articles trace the growth of Pollock's myth after his death in 1956 and document the continuing debate over psychological and mythological interpretations of Pollock's work.
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Book DetailsISBN: 9780870700378
(255mm x 190mm x 24mm)
Imprint: Museum of Modern Art
Publisher: Museum of Modern Art
Publish Date: 31-Jan-2000
Country of Publication: United States
Books By Author Pepe Karmel
Envisioning Modernism, Hardback (April 2012)
One of the finest collections of twentieth-century art is presented for the first time in published form.
Cubist Picasso, Hardback (November 2007)
"Picasso's Les Demoiselles dAvignon" (Museum of Modern Art, New York) dubbed by Pierre Daix as the first painting in modern art represents a milestone in the history of art. Picasso's radical break with tradition was to be a decisive influence on modern visual art.
Richard Pousette-Dart, Hardback (November 2005)
Traces Richard Pousette-Dart's creative output from the 1930s to 1992. He was one of the founding members of the New York School, generally known as the Abstract Expressionist movement, with whom he appeared in the famous photo of The Irascibles in "Life" magazine in 1951, created paintings, drawings and sculptures for over fifty years.
Picasso and the Invention of Cubism, Hardback (September 2003)» View all books by Pepe Karmel
This work seeks to transform our understanding of Cubism, showing in detail how it emerged in Picasso's work of the years 1906-13, and tracing its roots in 19th-century philosophy and linguistics. The author rejects the usual distinction between "analytic" and "synthetic" Cubism.
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