Edited by Carolyn Lanchner
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Joan Miro by Carolyn Lanchner
Book DescriptionHenri Matisse, Pablo Picasso, Joan Miro and Andy Warhol each significantly shaped the development of art in the 20th century. These modern masters are the subjects of four small books, the first volumes in a series featuring important artists in the collection of The Museum of Modern Art. Each book presents a single artist and guides readers through a dozen of his most memorable achievements. Works are reproduced in colour and accompanied by informative and accessible short essays that provide background on the artworks and on the artist himself, illuminating technique, style, subject matter and significance. Written by Carolyn Lanchner, former curator of painting and sculpture at the Museum, these books are excellent resources for readers interested in the stories behind masterpieces of the modern canon and for those who wish to understand the contributions of individual artists to the history of modern art.
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Book DetailsISBN: 9780870707254
(203mm x 152mm x 5mm)
Imprint: Museum of Modern Art
Publisher: Museum of Modern Art
Publish Date: 11-Aug-2008
Country of Publication: United States
Books By Author Carolyn Lanchner
Oppenheim: Object, Paperback (October 2016)
In 1936, invited by Andre Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim decided to act upon a cafe conversation she had with Pablo Picasso and his companion Dora Maar. In this volume, an essay by a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work.
Willem De Kooning, Paperback (August 2011)
Willem de Kooning was a pioneering figure among Abstract Expressionists, one of the most influential champions of the dynamic, process-driven painting that brought NewYork to the centre of the art world in the 1950s. This essay accompanies each work, illuminating its significance and placing it in its historical moment.
Paul Cezanne, Paperback (August 2011)» View all books by Carolyn Lanchner
Paul Cezanne, whom Pablo Picasso called the father of us all, is widely considered to be 20th-century modernisms presiding genius. This essay accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art.
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