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Jung and Film II. The ReturnFuther Post-Jungian Takes on FilmNormal Price: $184.00
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Jung and Film II. The Return by Christopher Hauke
Since Jung and Film was first published in 2001, Jungian writing on the moving image in film and television has accelerated. Jung and Film II: The Return provides new contributions from authors across the globe willing to tackle the broader issues of film production and consumption, the audience and the place of film culture in our lives. As well as chapters dealing with particular film makers such as Maya Derren and films such as Birth, The Piano, The Wrestler and Breaking the Wave, there is also a unique chapter co-written by documentary film-maker Tom Hurvitz and New York Jungian analyst Margaret Klenck. Other areas of discussion include: the way in which psychological issues come under scrutiny in many movies the various themes that concern Jungian writers on film how Jungian ideas on psychological personality types can be applied in fresh ways to analyse a variety of characters. The book also includes a glossary to help readers with Jungian words and concepts. Jung and Film II is not only a welcome companion to the first volume, it is an important stand- alone work essential for all academics and students of analytical psychology as well as film, media and cultural studies.
"They're back! The relentless creative output of the post-Jungian critique of film rolls on and you can't ignore them. In this, their second volume of movie analyses, these writers -- some academics, some clinicians, some both -- have returned in strength. While many psychoanalytic approaches to the moving image are starting to feel a little... what shall we say?... tired, the Jung-dude abides! And judging by the take-up of the first Jung and Film by Media and Film departments, clinical trainings and industry creatives alike, the out of date resistance to all things Jungian has witnessed a fast dissolve. These chapters are erudite, funny, sexy, sometimes a little weird. They offer tight close-ups and wide shots. They tell you about the psychology of film and the psychology of those who make film. Like with Coppola's The Godfather -- this sequel could be even better than what went before." - Andrew Samuels, University of Essex, UK
ISBN: 9780415488969
ISBN-10: 0415488966 Classification: Film theory & criticism , Analytical & Jungian psychology , Media studies Format: Hardback (216mm x 138mm x 25mm) Pages: 368 Imprint: Routledge Publisher: Taylor & Francis Ltd Publish Date: 20-Jun-2011 Country of Publication: United Kingdom |
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Comment on Jung and Film II. The Return by Christopher Hauke
Into the Woods by John Yorke
We all love stories. Many of us love to tell them, and even dream of making a living from it too. But what is a story? Hundreds of books about screenwriting and storytelling have been written, but none of them ask 'Why?' Why do we tell stories? And why do all stories function in an eerily similar way? This title deals with these questions.
History of Film by David Parkinson
Offers an analysis of the history of film. This title traces the evolution of the moving image from the earliest shadow shows to the digital film-making of the 21st century. It provides chapter maps developments in the form and technology across the world from the mid-1990s to today.
Citizen Kane by Laura Mulvey
Laura Mulvey offers a fresh and original reading of one of the greatest films in all cinema. This new edition of Mulvey's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by the author, and a stunning new jacket design by Eric Skillman.
New History of Documentary Film by Betsy A McLane
A comprehensive survey of English language documentary film and video from beginnings to the present
Human Being Human, Hardback (October 2005)
Explores the question 'What is a human being?' In examining our human being, this work challenges the notion of human nature, questions the assumed superiority of human consciousness and rational thinking and pays close attention to the contradiction of living simultaneously as an autonomous individual and a member of the collective community.
Jung and Film, Paperback (June 2001)
Examines seminal films including Pulp Fiction, Blade Runner, and 2001 - A Space Odyssey, this volume looks at how Jungian ideas can help us understand films and the genres to which they belong.
Jung and the Postmodern, Hardback (February 2000)
The book argues that Jungian psychology is more relevant now than ever before - not only can it offer a critique of modernity, but it can also offer a critique of modernity and enlightenment values in line with a critique of modern culture. » Have you read this book? We'd like to know what you think about it - write a review and you'll earn Boomerang Bucks loyalty dollars! Christopher Hauke is an I.A.A.P. Jungian analyst in London, a writer, film-maker, and Senior Lecturer at Goldsmiths, University of London. Luke Hockley, PhD is Professor of Media Analysis in the Research Centre for Art and Design (RIMAD) at the University of Bedfordshire, UK. He also works as an integrative psychotherapist in private practice in London and Bedfordshire. |
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