The Life of Musorgsky
By (author) Caryl Emerson
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Life of Musorgsky by Caryl Emerson
Book DescriptionModest Musorgsky is Russia's greatest musical dramatist. When he died in 1881 in St Petersburg at the age of forty-two, in poverty and relative obscurity, he was known for a single opera, Boris Godunov and a handful of eccentric 'realistic' songs set to prosaic Russian texts. He had no institutional connections, no 'degree', no family of his own, not even a permanent address. Except for Franz Liszt, no composer of stature knew of him outside Russia. Through the loyal (if controversial) intervention of his friends, his works survived in various editings into the early twentieth century, when revivals and evolving musical tastes restored him to new life. This account of his life, first published in 1999, emphasizes the psychological and economic factors that contributed to the composer's remarkable rise and tragic, premature end and is the first brief biography in English to make use of materials published in the new, de-Sovietized Russian academic climate.
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Book DetailsISBN: 9780521485074
(216mm x 138mm x 13mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 30-Sep-1999
Country of Publication: United Kingdom
Books By Author Caryl Emerson
Letter Killers Club, Paperback (February 2012)
The logic of the Letter Killers Club, a secret society of "conceivers" who commit nothing to paper on principle, is strict and uncompromising.
Cambridge Introduction to Russian Literature, Paperback (July 2008)
An engaging overview of the Russian literary tradition, with a glossary and guide to further reading.
Modest Musorgsky and Boris Godunov, Paperback (November 2006)
Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.
First Hundred Years of Mikhail Bakhtin, Paperback (March 2000)» View all books by Caryl Emerson
Among Western critics, Mikhail Bakhtin (1895-1975) needs no introduction. His name has been invoked in literary and cultural studies across the ideological spectrum, from old-fashioned humanist to structuralist to postmodernist. This title examines the role of his ideas in the post-Stalinist revival of the Russian literary profession.
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