Listen to the Stories
Nat Hentoff on Jazz and Country Music
By (author) Nat Hentoff
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Listen to the Stories by Nat Hentoff
Book DescriptionHere is Nat Hentoff's deeply felt exploration of jazz, blues, country, and gospel--and the musicians who bring the music to life. Hentoff has not only loved music all his life, he has lived it by being friends with many of the musicians he writes about in this collection. Hentoff poignantly describes the early days of Roy Eldridge and the last years of Billie Holiday and Bird. He tells amazing stories of the Count, Duke, and Dizzy. "Full of insightful behind-the-scenes encounters" (San Francisco Chronicle), Listen to the Stories covers new recordings and old legends, remarkable lives and unforgettable music.
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Book DetailsISBN: 9780306809828
(229mm x 152mm x 13mm)
Imprint: Da Capo Press Inc
Publisher: The Perseus Books Group
Publish Date: 22-Sep-2000
Country of Publication: United States
Books By Author Nat Hentoff
At the Jazz Band Ball, Paperback (April 2011)
From Duke Ellington and Louis Armstrong to Ornette Coleman and Quincy Jones, this title explores the jazz greats, and traces their art to gospel, blues, and many other forms of American music.
American Music is, Paperback (March 2004)» View all books by Nat Hentoff
Thank God for Nat, who places the soul of the musician above that of his art.--Dizzy Gillespie
US Kirkus Review » Hentoff covers the big-band and bebop eras with style and grace, providing insights into the lives and work of such greats as Duke Ellington, Billie Holliday, Louis Armstrong, and Charlie Parker. Anyone with even a passing interest in jazz music will appreciate this collection of essays (most previously published in the Wall Street Journal) on its luminaries. Aficionados, especially, will value the discographic information included. A "less is more" thread runs throughout the book: Dizzy Gillespie, for instance, says, "It's taken me most of my life to figure out which notes not to play." Hentoff (Free Speech for Me But Not for Thee, 1992, etc.) takes his cue from these efficient, economical musicians. Most essays run two to three pages, but Hentoff finds a key phrase, his own or another's, to nail down an elusive personality. John Coltrane comments, after a set with Thelonious Monk, "I lost my place...and it was like falling down an open elevator shaft." And the author himself writes that alto and soprano saxophonist Johnny Hodges "looked on the bandstand as if he were figuring out his tax returns." Most readers will be surprised to learn that there was a swinging big band composed entirely of women, the Sweethearts of Rhythm, active from 1937 to 1948. And that Bing Crosby - surprisingly hailed by Hentoff as a great jazz singer - opposed the war in Vietnam. Politics figures in other ways as well: There are a few accounts of playing the south during the Jim Crow era. Throughout, Hentoff treats his subjects with great respect. But his outright disdain for "free jazz" and most of its young, living practitioners limits the scope of these essays. The country music section is too brief to do that genre justice. Hentoff combines a fan's passion, a scholar's mind, and a poet's sensibility to illuminate one of the most elusive and distinctly American phenomena-jazz musicians and their music. (Kirkus Reviews)
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Author Biography - Nat Hentoff
Nat Hentoff is the first Jazz critic every named a "Jazz Master" by the National Endowment for the Arts.
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