Edited by Martin Puchner
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Modern Drama by Martin Puchner
Book DescriptionWhat is generally referred to as modern drama was an international development or movement centred in Europe and North America, a movement directed against many of the conventions and institutions of nineteenth-century drama and theatre. Between 1880 and 1960, a number of foundational figures broke with inherited dramatic conventions, instituted new forms of drama, and created different venues for performance. George Bernard Shaw and William Archer in England, Henrik Ibsen in Norway, August Strindberg in Sweden, Maurice Maeterlinck and Alfred Jarry in France, Gerhard Hauptmann in Germany, Luigi Pirandello in Italy, Federico Garcia Lorca in Spain, Eugene O'Neill and Gertrude Stein in the United States, and Anton Chekhov in Russia share, despite their considerable differences, a project of rupturing with the old and a belief in the new. Even though each national drama tradition can boast such a foundational figure, modern drama was at the same time an international movement. New plays quickly circulated through translation and new production techniques through touring companies and extended visits, establishing an international standard for modernism in drama. The four volumes that make up this new Routledge Major Work span the historical emergence and the continuing impact of modern drama on critical thought. By focusing on the origins of modern drama as well as on the narrative of its development, the collection is uniquely positioned to relate this historical period to current critical traditions. In terms of organization, the Major Work takes stock of the various critical traditions that have developed since the 1960s and that have fundamentally transformed our understanding of modernist drama and theatre even as these traditions have continued to draw on the original impulses of modern dramatists. It is an essential reference work destined to be valued as a vital research resource by all scholars and students of the subject.
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Book DetailsISBN: 9780415386609
(234mm x 156mm x mm)
Publisher: Taylor & Francis Ltd
Publish Date: 19-Dec-2007
Country of Publication: United Kingdom
Books By Author Martin Puchner
Drama of Ideas, Paperback (January 2014)
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start.
Communist Manifesto and Other Writings, Paperback (March 2013)
A series that offers quality editions of important works of literature to the student and the general reader, each featuring new scholarship and pages of carefully crafted extras. It pulls together a constellation of influences; biographical, historical and literary, to enrich each reader's understanding of these enduring works.
Stage Fright, Paperback (November 2011)
While offering an alternative history of modernist theater and literature, Puchner provides a new account of the contradictory forces within modernism.
Against Theatre, Paperback (April 2006)» View all books by Martin Puchner
Against Theatre shows that the most prominent writers of modern drama shared a radical rejection of the theatre as they knew it. Together with designers, composers and film makers, they plotted to destroy all existing theatres. But from their destruction emerged the most astonishing innovations of modernist theatre.
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Author Biography - Martin Puchner
Martin Puchner is the H. Gordon Garbedian Professor of English and Comparative Literature at Columbia University and the author of Stage Fright: Modernism, Anti-Theatricality, and Drama (Hopkins, 2002) and Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (Princeton, 2006), winner of the 2006 James Russell Lowell Prize for best book, awarded by the Modern Language Association. His edited books and introductions include Six Plays by Henrik Ibsen (Barnes and Noble, 2003), Lionel Abel's Tragedy and Metatheatre (Holmes and Meier, 2003), The Communist Manifesto and Other Writings (Barnes and Noble, 2005), and Modern Drama: Critical Concepts (Routledge, forthcoming). He is also co-editor of Against Theatre: Creative Destructions on the Modernist Stage (Palgrave, 2006) and of the forthcoming Norton Anthology of Drama. He is the editor of journal Theatre Survey, published by Cambridge University Press.
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