The Modern Invention of Medieval Music
Scholarship, Ideology, Performance
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Modern Invention of Medieval Music by Daniel Leech-Wilkinson
Book DescriptionMedieval music has been made and remade over the past two hundred years. For the nineteenth century it was vocal, without instrumental accompaniment, but with barbarous harmony that no one could have wished to hear. For most of the twentieth century it was instrumentally accompanied, increasingly colourful and increasingly enjoyed. At the height of its popularity it sustained an industry of players and instrument makers, all engaged in recreating an apparently medieval performance practice. During the 1980s it became vocal once more, exchanging colour and contrast for cleanliness and beauty. But what happens to produce such radical changes of perspective? And what can we learn from them about the way we interact with the past? How much is really known about the way medieval music sounded? Or have modern beliefs been formed and sustained less by evidence than the personalities of scholars and performers, their ideologies and their musical tastes?
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Book DetailsISBN: 9780521818704
(228mm x 152mm x 24mm)
Imprint: Cambridge University Press
Publisher: Cambridge University Press
Publish Date: 17-Oct-2002
Country of Publication: United Kingdom
Books By Author Daniel Leech-Wilkinson
Cambridge Companion to Recorded Music, Paperback (November 2009)
Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.
Modern Invention of Medieval Music, Paperback (June 2007)» View all books by Daniel Leech-Wilkinson
A challenging book which questions how much is really known about the way medieval music sounded.
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Author Biography - Daniel Leech-Wilkinson
Daniel Leech-Wilkinson is a writer and broadcaster on medieval music. He is Reader in Historical Musicology at King's College, London and his previous books include studies and editions of the fourteenth-century poet and composer Guillaume de Machaut.
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